Aitmatov’s Influence On Lu Yao’s Creation Research

Chingis Torekulovich Aitmatov（Чингис Торекулович Атматов,1928-2008）was an outstanding Kyrgyz writer whose works have been translated into more than 120 languages and are widely used in the world published everywhere,there is no doubt that he is one of the best writers with the largest number of readers in the world.He is not only a great writer in the history of Soviet literature,but also a great man who cannot be replaced throughout the 20 th and 21 st centuries.As one of the earliest contemporary writers from the former Soviet Union who were translated into China,Aitmatov’s novels were translated and spread widely in China,and he first came to China through Li Gang’s translation.In the coordinates of the influence of Russian and Soviet literature on Chinese literature and writers in the 1980 s,whether from a horizontal or vertical perspective,Aitmatov is not to be underestimated.With his distinctive novel writing style,extraordinary his imagination and unique artistic charm have had a strong and far-reaching impact on Chinese modern and contemporary literature and modern and contemporary writers.Lu Yao is one of them.This paper comprehensively uses two methods of comparative literature influence research and cross-cultural research to carefully read and analyze the works of the two writers.Starting from positivism,it explores Aitmatov’s influence on Lu Yao’s creation,and Lu Yao’s After being influenced by Aitmatov,the original Lu Yao-style writing combined with the local reality and the regional characteristics of northern Shanxi.This thesis is mainly divided into three parts.The first part mainly sorts out the translation,introduction and dissemination of Aitmatov’s works in China,combined with Lu Yao’s essays and memoirs,as well as relevant interviews with Lu Yao,to demonstrate the origin of Aitmatov’s influence on Lu Yao And textual research,starting from “Answer to ‘Yan He’ Editorial Department’s Questions”,to verify the fact that Lu Yao once publicly admitted to be influenced by Ai Shi.In addition,it focuses on explaining Ai Shi’s “White Steamship” in Lu Yao’s writings.Directly quoted,starting from these two empirical evidences,to illustrate the depth and breadth of Ai’s influence on Lu Yao.The second part mainly analyzes the specific embodiment of Aitmatov’s influence on Lu Yao’s creation.First,from the perspective of specific image symbols,such as“red scarf” and “little white poplar”,this paper analyzes Lu Yao’s reference,dismantling and creative transformation of image symbols in Ai Shi’s works,so that these image symbols have Lu Yao’s personality characteristics.Secondly,this part selects the specific works of Ai Shi and Lu Yao,goes deep into the text level,and analyzes Lu Yao’s imitation of the plot of Ai Shi’s novels,such as “the classic reappearance of the encounter bridge” and “music evokes imagination”.Finally,from the emotional point of view of the works,analyze the soul resonance of Lu Yao and Aitmatov in the two aspects of “land worship” and “bottom care”.The third part discusses that Lu Yao’s creation changed from reference to original construction consciously combined with local reality after accepting the influence of Ai Shi,and finally formed a unique Lu Yao-style writing based on the local cultural context.This originality is mainly reflected in: Lu Yao has always been rooted in the yellow land of northern Shaanxi for literary creation.He is an authentic man in northern Shaanxi,and his regional characteristics have created his unique temperament.Therefore,the characters created by him also have obvious characteristics of loess,especially the male characters in his works,these men are similar to Lu Yao in many aspects.At the same time,in the process of combining local writing,Lu Yao also completed the construction of his own “intersection of urban and rural areas”.