Find The Answer In Fetishism ——On The Inspiration Of Fetish Representation In Contemporary Figurative Art Works To Individual Creation

With the rapid development and expansion of commodity society,the object of communication and getting along with people is gradually replaced by things.Because of this,intimate relationships between people become more difficult to maintain,and more people choose to put their libido originally invested in people into objects.The number of fetishes or fetishes tends to increase,which is the inevitable result of the development of The Times.Among those who suffer from fetishism,there are many excellent artists who reveal their fetishism in their works and create mind-shaking works.The presentation of fetish representation in contemporary figurative painting art works enriches the information expressed in the picture and makes the work easier to resonate with the audience.This paper is divided into four chapters to narrate the inspiration given to the author by the presentation of the object of love in contemporary figurative paintings.The introduction of the first chapter of this paper briefly describes the research background,research methods and research significance of this paper to clarify the reasons for the author to obtain creative guidance by studying the fetish representation of contemporary figurative works.The second chapter mainly from marxism and Freud’s psychoanalysis of the definition of fetish brief definition and differences.In addition,through the historical origin of the word fetish,deepen the understanding of the definition of fetish.Finally,according to the paper,the representation of the fetish in the work is classified.The third chapter is based on the artist’s life and works,summed up three more commonly used in the way of the object of love in the work,and analyze the reasons.The selected artists in the third chapter are able to perfectly integrate their unique hobbies and preferences with their works,producing the effect of "1+1 is greater than 2".The uniqueness of personal experience and the public aesthetic can resonate to a certain extent.The fourth part is to sort out,summarize and reflect on the author’s creative ideas and achievements during the postgraduate period.Then combined with the first three chapters of contemporary figurative painting art fetish representation research practice planning,learning to apply.