A Study On The Intertextuality Of Chinese Mythology Cartoon Films

Traditional Chinese myth is one of the important sources of material,the film creation through Chinese traditional myth and the diffuse film practice of intertextuality,on the one hand,to achieve the traditional myths in the tide of new myth transcoding,adaptation and reconstruction,on the other hand also reflected the diffuse film for transformation and utilization of resources of traditional myths,both in the characterization of the change of the carrier presented the characteristics of intertextuality.This paper takes mythology-themed Chinese comic films as the research object and combines relevant theories such as film and television narratiology,mythology and intertextuality to study the intertextuality characteristics in the creation of mythology-themed Chinese comic films.The introduction part states the origin and research significance of this paper,defines the concepts of intertextuality,Chinese comic films and traditional mythology,and sorts out the research status of Chinese comic films and mythological Chinese comic films.In the first chapter,the generation and development of mythology-themed Chinese comic films are systematically sorted out,and the possibility of intertextual adaptation of mythology and Chinese comic films is briefly analyzed.The second chapter takes the image subjects of Chinese comic films as the research object,combines samples,focuses on the analysis of the thought of being out of place of the Chinese comic films,and focuses on the intertextuality elements such as the text form,text frame and text content of Chinese comic films.The third chapter takes the story content of Chinese comic films as the research object,and analyzes the deconstruction and modernization reconstruction of the narrative plots,aesthetic categories and mythological thinking of Chinese comic films in the intertextual adaptation of the modern context through the comparison between Chinese comic story texts and traditional mythological texts.The last part is the conclusion,on the basis of the above discussion,the intertextuality value of the mythological Chinese comic films is briefly summarized.