A Study Of Female Images In The Third Wave Military Literature Novels Between China And The Soviet Union

The military literature of China and the Soviet Union entered the third wave period,although some works have some differences in terms of historical perspectives and aesthetic styles,but all focus on the performance of a special historical period and special circumstances under the fate of the people and the soul of the world.The attention to “Human”is its important characteristic.Based on feminism as the main theoretical basis and the awakening degree of female consciousness as the standard,this paper makes a systematic classification of the female images in the third wave of military literature of the two countries,and analyzes the similarities and differences of the female images in the third wave works,combing its characteristics and significance in order to enrich the study of female images in military literature of the two countries.In the introduction,the author explains the origin of the topic,combs the present situation of the research on the female images in the military literature of China and the Soviet Union.Defines the concepts of “Military literature”and “The third wave”,and determines the scope of the article.The main body of the article is divided into four parts.The first chapter,general situation and characteristics of the third wave of Chinese and Soviet military literature are briefly described.The second chapter is the classification of the female images in the third wave of Chinese and Soviet military literature.In this chapter,according to the standard of the awakening degree of female consciousness,the female images are divided into three categories: the sleeper,the awakened one and the advocator of female consciousness,different types of female images were discussed in detail.The third chapter compares and analyzes the similarities and differences of female images in the third wave novels of Chinese and Soviet military literature and the reasons for the similarities and differences.The highlight of female gender characteristics,the subjectivity trend of women’s situation and the creator’s multi-dimensional attention to women’s wartime life are the common features of the shaping of women’s images in the two countries.Through the description of the feminized characteristics of female images,the military literary works of this period no longer put the growth of women in the swaddling of men.The works pay attention to women’s daily life and emotional life in wartime.The transformation process of women from silent others to protagonist orientation shows the trend of women’s subjectivity.Due to the differences in social development and national cultural traditions between the two countries,there are also some differences in shaping women’s images。Women in the two countries show different emotional attitudes towards enlistment and love.Moreover,due to cultural differences,the different entry points of creators in shaping women’s images also lead to the different role positioning of women’s images in the two countries.In addition,the creators of the two countries pay different attention to women’s peacetime life.At the same time,the third section of this chapter briefly analyzes the reasons for the similarities and differences in the shaping of female images between the two countriesThe fourth chapter analyzes the value and significance of female image shaping in the third wave of Chinese and Soviet military literature.This paper holds that through the expression of women’s desire,women can be lifted from heroes and show human tendency;Through the flawed description of the characters,he created complex and diverse characters;Through the contradiction between love and war,it enriches the theme of the works,which is the literary historical significance of the shaping of female images in this period.At the same time,the shaping of women’s images in the third wave of military literature shows the real women as "people",which plays a role in promoting the formation of women’s subjectivity and the establishment of gender equality relations,which is of great significance in the construction of women’s discourse.The female consciousness from submerging to spreading,the female characteristics from disappearing to returning,the female images from supporting roles to leading roles,the female writing in military literature step by step out of the male gaze,restore the female nature,and shape a comprehensive and profound “Person”,this is the change of the female image in the third wave military literature of China and the Soviet Union.This change reflects the promotion of women ’ s social status and the gradual establishment of their right to speak from the perspective of historical reality,at the same time,it also reflects the nature that the military literature of the third wave of China and Soviet Union returns to the“Human study”of literature.The gender specificity and revolutionary interaction of female images in military literature make the study of female images not only of literary history,but also of broader social significance.