A Study On Wang Zengqi’s Literary Style In Literary Rewriting In The 1980s

After years of silence,Wang Zengqi shocked the literary world in the early 1980s with his work "Ordained".However,this seemingly new work was actually a re-creation of the Temple and The Monk in the 1940s.Such rewriting appeared many times in wang Zengqi’s subsequent writings,and even became a writing phenomenon.Most of wang Zengqi’s rewrites are concentrated in the 1980s.in which there are not only rewrites of his own works,but also those of his predecessors,and even a number of rewrites across genres.Looking back to the past in the form of rewriting in the 1980s is unique to Wang Zengqi,and rewriting across genres is his conscious as a stylist.Behind Wang Zengqi’s rewriting in the 1980s is his self-consciousness as a stylist.This paper will start with rewriting and style,and discuss the stylistic problems behind rewriting in four chapters:The first chapter,focusing on the rich works of the 1980s,considers the meaning of Wang Zengqi’s rewriting under the background of the new era through a careful comparison of the content of specific works.This chapter is mainly divided into two parts.Firstly starting from his own work,to rewrite the time for clues,his works from the content of wang zeng-qi rewrite,emotion,written on a detailed analysis,secondly to wang zeng-qi rewrite the contents in comparison with the original ancient notes novel,found wang zeng-qi rewrite the connection between the rich and regularity,the early focus on their work,the late concentrated rewrite the predecessors’ work,The process of rewriting is also the process of wang Zengqi’s style becoming increasingly mature.Chapter two traces back to the causes of wang Zengqi’s literary rewriting in the 1980s.First of all,considering the impact brought by the social environment in the new period,the literature recovery after the reform and opening up and the upsurge of narrative discussion on daily life,wang Zengqi’s return to the literary circle of writing has brought influence;Secondly,starting from the subjective consciousness of wang zeng-qi,short of appropriate,to recall the reappearance,a response to daily life narration,intended to eliminate grand narrative,a response to angry,and to explore the writer literary intelligentsia image are wang zeng-qi himself to consciously literature rewrite the thrust,the subjective and objective form the resultant force put wang zeng-qi’s increasingly rich.Chapter three considers wang Zengqi’s breaking of the boundary of style as a stylist.First of all,the innovation of wang Zengqi’s cross-genre rewriting is highlighted by the interwriting of prose and fiction,which not only challenges the style,but also innovates the style.Secondly,from the fictionality of the novel and the authenticity of the prose,this paper explores the change of wang Zengqi’s mood reflected by the transition between fiction and reality.Finally,starting from the "Wang Zengqi fever" in the 1980s,this paper discusses the literary value of Wang Zengqi’s recollections of folk life,challenges to traditional customs and reappearance of aesthetic remarks.The fourth chapter focuses on the historical influence of Wang Zengqi’s rewriting.Wang Zengqi’s literary rewriting is not only a process of forming his own style,but also a process of connecting modern and contemporary times.Firstly.this paper discusses the process of Wang Zengqi’s literary style from the descendant of Beijing school to Wang’s,explores the influence of representative writers of Beijing school on Wang Zengqi and his increasingly mature writing characteristics.Secondly,it reflects on wang Zengqi’s increasingly mature writing characteristics and stylistic consciousness reflected in the process of connecting modern and contemporary times,as well as wang Zengqi’s invariable attitude towards writing content,personnel and life in the trend of The Times.Epilogue part in addition to paper mentioned in his 1980 s literature rewrite the style problem,cultural meaning and historical influence,summarizes thinking,the author will also wang zeng-qi’s literary rewrite placed in the rewriting of literature in the history of Chinese literature,thinking of wang zeng-qi rewritten to rewrite the boom,and even the entire demonstration significance of literary creation.Wang Zengqi continued the fractured culture through the interweaving of personal factors and the factors of The Times.His attention to daily life and the formation of the leisurely style of writing are also consistent,which reflects the profound political nature.In the 1980s,Wang Zengqi wrote in an apolitical way of"going back to history",which actually showed a kind of thinking about history.