A Study On The Intertextuality Of Wang Zengqi’s Novels And Dramas

Since the beginning of the new century,Wang Zengqi,as a master of the literary world,has been attached great importance to by the industry.Studies on his novels and literary works have been deepened,and the analysis of Wang’s novels has been in full development.However,there are not extensive studies on Wang Zengqi’s play creation,especially on the intertextuality of his novels and plays,which leaves a large space for the research of this paper.This paper probes into the background factors of the symbiosis of the two literary styles in Wang Zengqi’s literary creation,and concludes that "fiction nourishes drama and drama feeds fiction" is a literary creation phenomenon in Wang Zengqi’s literary creation,which has significant and unique characteristics in his creation and brings enlightenment significance to contemporary literary creation.This paper holds that Wang has realized the mutual penetration of his thoughts in different literary styles.Even in the adaptation of the same text,his novels and plays have reached the aesthetic appeal of "one plus one is greater than two".Influenced by the intertextuality of literary styles,Wang’s novels and plays have built a bridge on techniques,allowing novels to break the closure of texts and dramas to be fictionalized.This intertextuality of writing has helped Wang form his consciousness of large texts.There are four chapters in this paper.First chapter combined with his personal ups and downs of life experience,combing the infiltration of Chinese and foreign culture,dug up his novel and drama creation background factors of symbiosis,for later better understand his novel and drama the intertextuality of writing.The second chapter focuses on discussion on the thoughts of his novel and drama,from the early stage of the writing appeals to the creation method,function and discusses four aspects into focus.From the novel to the drama,from the drama to the novel,reveals that Wang Zengqi in the novel and drama to seek innovation,continuous exploration.Wang pursues the experimental writing of novels and dramas.He adapts literary styles with the help of the ideas of minor changes and great changes,attaches importance to the social influence of novels and dramas,and reflects on history with the true record of words.The third chapter discusses the interaction between Wang Zengqi’s novels and dramas from the perspective of artistic techniques,using characterization,structural layout and language writing.The communication between techniques makes Wang Zengqi’s novel creation and drama creation permeate each other,opening up the boundary of artistic techniques between novel and drama,and releasing the creation space of novel and drama.On the basis of the former three chapters,the fourth chapter in view of Wang Zengqi’s intertextuality in the novel and drama writing under the creation experience,with the help of stylistic alternate,the relationship between fiction and drama to explore Wang Zengqi’s under literature amphibious write as and otherness are part of the experience and reflection.