Study On Timbre Change And Charm In Liuqin Performance

Liuqin was originally a folk plucked instrument popular in southern Shandong,northern Jiangsu and northeastern Anhui.It was mainly used for the accompaniment of Liuqin Opera,Sizhou Opera and other local operas.Contemporary famous musician Mr Wang Huiran contriving,within the time for a jia XiaoYiGanShi,on the basis of the comprehensive reform of the liu-chin,in music creation and performance skills in the system building,music education and so on has made the prominent contribution to the art practice is also the process of the formation of diversified laid the foundation for liu-chin timbre.This paper takes "Spring to Yihe","Feelings of the Native Land" and "Courtyard after Rain" as examples to analyze and discuss the factors that affect the timbre of Liuqin and the changes of timbre during performance,combined with my own learning and performance practice.The main body of this paper is composed of four parts.The first part discusses the factors that affect the tone of willow qin.Firstly,the paper clarified the timbre of Liuqin from the point of view of concept,and concluded that there are two main timbre of Liuqin:objective timbre and subjective timbre.Secondly,the paper discussed the relationship between the timbre of Liuqin and the use of the left hand pressing the string and the right hand picking.Second,three,four parts mainly from the perspectives of music performance practice,combined with the left hand for the use of rhyme skills of timbre is discussed,the timbre and fully confirmed,on the basis of performance skills in the relationship,think timbre of performance skills in the use and performance should be combined with the need of music style,dialectical to choose and use.