A Study On The Graphic-text Relationship Of Xiang Shengmo’s "Fujian Tour"

“Travel Map” is a real landscape map painted during the visit of Zhejiang Jiaxing literary painter Xiang Shengmu to Fujian in the late Ming and early Qing Dynasties.The painting shows the landscape of the local people and the landscape of the mountains and rivers on both sides of the Weijiang River,focusing on the strange scenery of the stony stream of the Weijiang River.Long roll painting style rigorous,with a pen delicate work.The figure sits on the artist’s self-titled poems and inscriptions,the self-titled poems behind the scrolls,and the inscriptions of his friends Tan Zhenmo and Li Zhaoheng.The contents of these poems cover the plants,streams,streams,fishermen,climate,human environment,etc.,the focus of this paper explores the relationship between the images and inscriptions of the "Yuyou Map",from the perspective of the picture,from the perspective of narrative rhythm,narrative law,graphic text The three aspects of narrative relations are studied,from the perspective of literature,imagery and so on,to explore the hidden geographical and cultural passwords of the "Travel Map",and to put the most painter-sanmu and the works "Travel Map" in the perspective of the times and the literary community,and to analyze the "Travel Map" graphic construction and representation.From it,we explore the social practice,aesthetic taste,way of viewing painting and the theme implication of the group of Jiangnan literary painters in the late Ming and early Qing Dynasties.