Research On The Relationship Between The Way Of Tour And The Formation And Communication Of The Aesthetic Space Of Middle Ancient Landscape Poems And Paintings

Under the background of the same time and space,the landscape poetry and landscape painting of the Southern Dynasties developed in the same time and space,and they are highly integrated in the poems of Wang Wei in the Tang Dynasty.Landscape poetry is an excellent subject for studying space.Xie Lingyun,Xie Tiao and Wang Wei,as the founders of landscape poetry,the key poets in the development period and the synthesizers in the mature period,respectively,occupy an important position in the development history of medieval landscape poetry,and their poetry space is typical.At present,there are few studies on the relationship between the aesthetic space of landscape poetry and painting in the academic circle.Taking poetry and painting comparison as research methods,this paper summarizes the characteristics and evolution of the way of visiting landscape poetry,and combs the formation and integration of the aesthetic space of landscape poetry and painting,which is of certain significance to the study of landscape poetry and Chinese traditional poetry and painting art.In the social atmosphere of ’ travel ’ and ’ seclusion ’,under the influence of the concept of emphasizing shape,color and ’ appreciation ’ in the painting theory of the Southern Dynasties,Xie Lingyun sent out the landscape aesthetics of ’ The beauty of the eye ’,which showed the integration relationship between landscape poetry and painting in the Southern Dynasties.The expression of his aesthetic concept in landscape poetry is reflected in two aspects : one is the spatial experience of ’ feasible ’ and ’ tourable ’landscape under the ’ shape tour ’ of landscape poetry;the other is the vivid and bright color,the image of landscape juxtaposition and the sense of deep and dense space.Under the impetus of Xie Lingyun ’s way of physical tour and the concept of visual and physical view,landscape entered painting and became the theme of creation and the object of appreciation;the spatial pattern of the poetry scenery and the description of the scenery color and line to a certain extent affected the early and later landscape painting scattered point tour to watch the way and composition,color,line.Because of Xie Tiao ’s spatial perception of ’ looking ’ and ’ seeking near and far ’,the landscape presents the characteristics of plain space under his distant view,and the scenery becomes friendly and charming because of the poet ’s far and near.By comparing with Xie Lingyun,it can be seen that the aesthetic space of Xie Tiao ’s landscape poems expands inward due to the integration of his subjective emotions.The scenery in his poems expands from the description of a single scenery to the writing of the whole landscape environment atmosphere,thus showing a picturesque landscape pattern.Xie Tiao ’s landscape poetry ’far ’ form of travel,such as painting consciousness,and the far-reaching characteristics of the landscape in the poetry affect the composition and viewing mode of the landscape painting ’ far ’ at that time and later generations.The characterization and artistic conception of the landscape in his poetry also affect the strokes,color ink and ink artistic conception of the landscape painting.Due to the influence of Buddhism,Wang Wei ’s landscape poetry presents the form of’ living tour ’ outside and ’ heart tour ’ inside.The landscape becomes closer and livable in his works,and rises to the height of the universe and nature.Space has also been infinitely expanded and transcended.Wang Wei,with his Buddhist and painting literacy,highly integrates poetry,Zen and painting,so that poetry presents implicit beauty,and provides a new aesthetic perspective different from the similar beauty of landscape poetry.His poetry and painting are highly integrated,paying attention to the verve and the truth of interest,and creating literati freehand painting;the later Wangchuan poetry opened a new concept of space experience and landscape,which promoted the rise of small landscape painting in later generations to a certain extent.Based on the above comparative study of Xie Lingyun,Xie Tiao and Wang Wei ’s landscape poems,we can see that the landscape poems show two characteristics : one is the combination of ’ tour ’ and ’ view ’;the second is the transcendence of time and space,that is,the common pursuit of ’ far ’.At the same time,from Xie Lingyun,Xie Tiao to Wang Wei,the view of landscape poetry changed from dynamic to static,from outside to inside,and the view of landscape changed from carrying Tao to lyric and then to freehand brushwork.In this process,landscape poetry and painting are intertwined and developed,and landscape painting also evolves with the development of landscape poetry : from the pursuit of panoramic landscapes to small-scale landscapes,from green landscapes to ink landscapes,from fine strokes to light color rendering.This process integrates the sense of space of Chinese people ’s pitch observation,space-time integration and harmony between man and nature from beginning to end,which shows the connection between landscape poetry and painting aesthetic space.