Study On The Relationship Between Text And Picture Of "Xiang Jun" And "Xiang Furen"

The study of Chu Ci picture has gradually become a hot topic."Xiang jun" and "Xiang Furen" are sister stories in Chu Ci's "Nine Songs".At present,the research on the images of "Xiangjun" and "Xiang Furen" mainly starts from the perspectives of art history,painting composition,artistic techniques,etc.There are few research results from the perspective of the conversion relationship between texts and images.During the evolution of the story of Er Xiang,the two mythical systems of Shun and Er Fei and the water god of Dong ting experienced a process of gradual integration and then stripping,and each scholar in the past selectively accepted the story of Er Xiang according to their own needs.The three kinds of acceptance are also the acceptance of the painter.Behind the different acceptances are the reflections of cultural thoughts,political theories,and the background of the times.To analyze the reasons behind them is to interpret the connotation of the image.There are currently about 107 pictures of Er Xiang pictures,many of which have been circulated outside or have been lost,and the images are copied and inherited,and innovations are created to form an independent framework of Er Xiang.Data analysis found that the growth period of the Er Xiang picture appeared in the Yuan Dynasty,which was related to various factors such as the blueprint provided by Li Gonglin in the Song Dynasty,the social background of the Yuan Dynasty,and the spiritual appeal of Qu Yuan.Moreover,Xiang jun mostly appeared as a female character,which is the largest.The difference is mainly influenced by the concept of "concubine" of Han Yu and Zhu Xi and others.Since Li Gonglin pioneered the theme of Er Xiang in "Nine Songs",the paintings in later generations have mostly imitated them.In the Song and Yuan Dynasties,the combination of texts and pictures was the mainstay.The characters were mostly elegant and ancient.The Ming and Qing Dynasties showed a trend of integration.Not only did they inherit the composition patterns and techniques of Song and Yuan,but also created new combinations of texts and pictures,providing a new way for image research.The image's interpretation of the text Er Xiang has formed a certain frame model,either faithful text,or grasping the main elements,or reconstructing different from the text,but in the end,they have reached the appropriateness of emotion conveyed by the medium of Er Xiang Picture.Between texts and images,the translation of images to texts is reflected in both content and connotation.The addition of texts to images includes both the content and the clues outside the text.The artist uses techniques to leave the space and juxtaposition,grasp the main elements and combine with a momentary description to achieve the appropriateness.However,in the gender,elements and other aspects are different,the main reason is the difference between the text and the annotation,cultural background and other factors.It is these differences that can best reflect the painter's ulterior motives.By analyzing the differences,we can analyze the special connotations that different writers have entrusted.A case study of the relationship between text and pictures,taking Wen Zhengming's "Pictures of Er Xiang" as an example.He resembled the Er Xiang figure.At the age of 48,he imitated Zhao Mengfu and Qian Xuan,painting "Picture of Er Xiang".Its inscriptions and images of Er Xiang,the structure of patterns,etc.,to understand the purpose,cultural significance and value of this picture,as well as Wen Zhengming's "ancient meaning" thought;combining the background of the creation of the picture and the acceptance of Chu Ci,comparing the image with the text Where there are different phases,we analyze the complex feelings sent by Wen Zheng ming in this picture,expressing feelings such as avoiding misfortune and hiding,taking Qu Yuan to encourage ourselves,pursuing the style of Wei and Jin,and pursuing ideals.