The Theory And Practice Of The Popularization Of Left-wing Drama

The academic circles have paid more attention to the three popular discussions under the guidance of "left-wing league",but neglected the theoretical and practical significance of the popularization of left-wing drama.The popularization of drama was an important part of the popularization of literature and art in the thirties.The popularization of left-wing drama made up for the practice gap of the popularization of literature and art and made efforts to promote the popularization of drama,which was reflected in the construction of the popularization theory and the practice process of the drama movement.On the basis of the theory of the popularization of literature and art in the 1930s,this paper sorts out the theoretical construction of the popularization of left-wing drama from the three aspects of the mass,revolution and folk,and explores the uniqueness of the path of the popularization of drama.Popularization of literature and art of the discussion will be "the masses" as a new view object,established the group form a "public",in the practice of left-wing drama popular,left-wing writers trying to break the "public" class framework,promote mass produced his creation,intellectual discourse subject status of the migration.Revolution,as a powerful external force,promotes the popularization of drama,and intellectuals use this external force to replace popular life with revolutionary life,which further establishes the legitimacy of the popularization of left-wing drama.It is the base point and premise of the popularization of left-wing drama to promote the masses to the proletarian revolutionary movement.The popular foundation of the old folk form provides a new direction for this problem,returning to the folk and rediscovering the local drama form,and this turn foreshadows the internalization process of modern drama.The participation of the public is an essential element in the left-wing drama popularization movement,which is determined by the artistic characteristics of the drama.From the creation and acceptance for the collective,the audience expect contributed to the left-wing drama creation,creation and accept tend to influence each other,screenwriters intends to highlight the contradictions of drama plots and enhance the reality of language directivity,draw lessons from the old form,its aim is to enhance the appeal of drama and authenticity,in the process of "view and play",Volkswagen group mind,The overlap of truth and fiction on the theater stage often expands the influence of left-wing drama and promotes the drama to the public.The theory and practice of the popularization of left-wing drama are not perfect,and the urgency of the revolutionary situation often leads to the "urgent" of literary and artistic creation,which has a strong utilitarian color,but the development of the popularization of left-wing drama has laid a foundation for the development direction of the nationalization of drama,and the realistic direction of the popularization is the development of nationalization.Only by combining foreign literature with local literature,combining the national literary form and realistic situation,and combining the emotional foundation of the public towards the form of Chinese folk drama,can we promote the popularization of drama in the true sense.The popularization of left-wing drama has provided an important and useful exploration for the popularization of Chinese drama to that of the liberated areas.