On The Existence Of Workers In Chinese Left-wing Dramas

Chinese Modern Drama began from the first Chinese drama group composed of Chinese students studying abroad in Japan in 1907,Chunliu Society,performed the “La Traviata” fragment and the “Black Nu Wa Tian Lu” in Tokyo,passing through several generations of theatrical people over 110 years.The arduous exploration has gradually explored the Chinese modern drama with Chinese style and characteristics that embodies the characteristics of the national art and has become an important force for China’s strong cultural confidence.The modern Chinese drama that has accumulated over the past eleven-one years is like a starry sky.It shines with reality.The development of modern drama in China is inextricably linked with the revolutionary discourse.Under the combined effect of revolution and the Chinese revolution,Chinese literature and art began to transform into a modern form,which enabled modern Chinese drama to be able to modernize our country’s modern history and the arduous modernization process.Profound understanding and understanding.For the theatrical person,through the review of the development history of modern drama in China to face the present and meet the future,it is of great practical significance to promote the innovative development of the drama industry in the context of the new era.In the 1930 s,Chinese drama entered the creative stage of proletarian drama.During this period,the scale of the workers’ group continued to expand,and on this basis,a new social class was born.Compared with other social strata,the workers’ groups have more intense revolutionary aspirations and contain powerful revolutionary forces.At the same time,influenced by the widespread dissemination of Marxism and other socialist ideological trends in China,the isomorphism of the Chinese proletarian revolutionary context and modern narratives has made popular participation an effective means of promoting the development of the revolution.Drama,as a kind of comprehensive art,has a strong rendering and a high degree of audience participation.In a special historical period,drama has become a powerful weapon for the Chinese Communist Party to strengthen its connection with the masses and stimulate the wide participation of the whole society.With the full support of the Communist Party of China,there have been a large number of theatrical works and organizational structures related to the proletarian revolution.The Chinese left-wing dramatists alliance was established under this background of times.Under the joint effect of these forces,it not only promoted the popularization of the drama,but also provided a platform for the workers to participate in the left-wing drama.Workers use drama to record their own situation,witness historical experience,and create and reflect on their own experience and overall history in the participation of drama.They also grasped their own value pursuit in this process.The existence of workers in the left-wing drama can be divided into two types.First,in the creation of the script,the playwright uses the workers as the artistic prototype and the implied audience to write the script,and the second is to become an important part of the theater stage.On the basis of continuation of traditional literary research methods,this article incorporates drama and sociology and other relevant theories,strives to reproduce the historical participation of the working class,discusses the special significance of the existence of workers in modern Chinese drama,and is important for the Chinese working class to the literary and artistic activities.Contribute to a theoretical explanation,to make an attempt to enrich academic theories,and to complete the weak links in the 20 th century industrial drama research.