| Hani Yi Che people,located in Honghe region of Yunnan,China,is a representative branch of Hani society in southern Yunnan.The traditional living order constructed by the unique natural geographical ecological environment and historical circumstances has not only formed the unique musical culture cognition system of the Yi Che people,but also shaped the unique original and local musical cultural landscape.And through their own musical expression of the complete word system,they express their own musical culture view.Taking the Hani family of Honghe County as the research object,focusing on the music culture concept of the family,this thesis analyzes the expression and sound cognition of “music language” in the social life of the people based on their discourse perspective,Finally,based on the research thinking and method of music ethnography,this thesis probes into the music culture concept of Yi Che people.This thesis consists of three parts:introduction,text and conclusion.The introduction mainly expounds the reason and significance of this thesis,research review,research theory and methods.In the research summary,the author sort out three aspects:the research of Hani special music,the research of music culture concept and music culture model,and the research of music culture cognition.In the research theory and method,based on the core theory of “sound —— concept —— behavior”in Meriam’s music anthropology,the author takes the basic analysis model of cognitive ethnomusicology as the main research method,and discusses the musical culture concept of Yi Che people with the relevant theoretical knowledge of music culture geography.The chapter one,“The Natural Human Environment and Ecological Landscape of Yi Che Branch”,describes the natural human environment of Yi Che people’s life from the aspects of natural environment and human history,and the four major festivals of the year and the ritual and customs of life become the basic elements of the cultural ecological landscape;The chapter two,“Periodic Reincarnation ——‘Yi’type sound etiquette”,based on the theory of ritual sound and sound related research constructed by Mr.Cao Benye,Based on the life course experienced in the individual life of Yi Che people and the main festival ceremony of public collectivity of Yi Che people are two axes respectively,so as to present the sound and sound landscape of Yi Che people’s daily social life;The chapter three,“The expression of music of Yi Che people”,on the basis of the deep description of Yi Che people’s natural human environment,cultural ecological landscape and life sound etiquette,in-depth and detailed analysis of the cultural holders of music discourse system expression,composition,connotation and presentation of the content;The chapter four,“The practice and cognition of music culture concept of Yi Che branch”,based on the basic analysis model from the perspective of outsiders provided by Pilker Moisala in the study of “Music Analysis in Cognition”,This chapter expounds the composition of sound products made by Yi Che people from two aspects:sound structure and social norms.Then,from Pierre Bourdieu’s field theory and other related content,from the cultural context of “performance” and of Yi Che people from the cultural context of “performance” and the social context of “performance”,and finally discusses the music thinking mode of Yi Che people from both explicit and implicit levels.In the last part of the conclusion,the author makes a summary statement of the“music culture view” of the Yi Che branch by combining the three parts:The expression of “music language” of sound and sound products made by Yi Che people comes from the discourse system of various folklore objects when their ancestors created the world;The music culture concept of Yi Che branch is derived from the social and cultural behavior of various sound and sound rituals in Yi Che people’s life;All kinds of behavior and metaphor in the psychological cognition of Yi Che people finally form the music expression of Yi Che branch. |