From "The Sound Of The World" To "The Sound Of The Spirit"

From “decadent music” to “music of prosperous dynasty”dicuss the historicaltransformation from folk music to ceremonialmusic in “ceremonial conservatory”With the disintegration of the Zhou Dynasty,”ceremonial music” graduallydeclined and disappeared, the vassal king preferred to the secular music. So folkmusic burst onto the music scene. The folk music with the representative of“Zheng and Wei kingdoms music” was dismissed as” decadent music”,“The music oftrouble time”. Qin Shi Huang unified the six states, established “music conservatory”the music constitution which mainly manage the folk music. Han not only has theright of Qin dynasty, but also carry the system of Qin dynasty.Han emperor was the man of Chu and fond of Chu music. He composed Wind Songwith the basic tone of Chu music, and then become the ancestral song of Han dynasty.During the “rite of suburban sacrifice offering” in Han Dynasty, directly giveresponsibility of composing new ceremonial music to music conservatory and collectthe folk music around the country as the basis material for new ceremonial music.With increasing economic prosperity and national strength, The entertaining style ofmusic prevailed all over the country, and the folk music become the main body ofmusic culture at that time. playing lutes an blowing pipe instruments, drawing picturesof dancing, bells and drums of five instruments, the dance in Zheng and the singinggirls in Zhao, the fashion of secularization become the main trend. With the changingtimes, the music concept and interest of people changed, with pluralistic developmentand the strength of country and stability of society, all things provided good social andhistorical conditions for the rise of folk music and made the folk music transfer into ahigher level of “ceremonial music”. From so-called “decadent music”, now becomethe “music of prosperous dynasty” which showed the national strength.The transition and integration with “folk music and “ceremonial music” become themain mode of development of traditional Chinese music. Further verified the folkmusic is the real source for music art endless making the innovation.Ya vulgar to conversion and integration with Mercy Yasu has become the main modeof development of traditional Chinese music. Further evidence of folk music is folkmusic art endless, constantly new real source...