The Language Of Music-Hagel"Aesthetic" Of "Music" And "Music" The Similarities Of And Enlightenment

In this paper, will do some comparative analysis of ancient China since the Qin Dynasty to the "music" as the representative, and classical German Aesthetics "to Hagel" as the representative of the relevant content.The two meet thousands of miles of different countries at different times, thousands of years, have different historical and cultural backgrounds, different social background, written by the races of musical works, they are the language of music, starting from the philosophy and aesthetics of different angles, respectively, to study the relationship between the essence of music, the social functions and music perception, but they in many point of view is strikingly similar, of course, differ greatly. This paper focuses on the "music" and "aesthetic" Hagel "on music" of the two works of the similarities and differences between the comparative analysis, we can see not only the perspective of Chinese and western academic different, can deepen our understanding of them, and some rules of a glimpse of music aesthetics development can to some extent.