| Marcel Duchamp,a controversial person of the western art’s history,established the“ready-made” art that is of concrete and extraordinary significance to the artistic community.Some people call him a genius who breaks through artistic barriers,while others say that he is a demon who is unconventional.Some think that “ready-made” art is the evolution of art form,while others think that it is not art.This paper aims to take Marcel Duchamp,the founder of the “ready-made” art as a starting point to explore specific ways of constructing this kind of art,as well as the related influence.This paper is divided into three aspects.Firstly,the creation background of “ready-made”.From an artist’s perspective,the author explores the motivations of Marcel Duchamp’s move towards ready-made creations and points out that his move is closely related to his unique family environment and acquired artistic talent,as well as his artistic pursuit against the current.The following aspect is the construction of Marcel Duchamp’s “ready-made” art.Starting with the works of art,the author deconstructs Marcel Duchamp’s creative techniques,and expounds that the “ready-made” art shapes the charm of art work mainly via everyday objects,placing conception and switching fields.The last aspect is the influence of“ready-made” art.For this part,the author discusses changes that Marcel Duchamp has brought to the art and artistic community,comments on Marcel Duchamp’s breakthrough in art’s boundaries and points out trends of conceptual creation.Meanwhile,the paper discloses a situation where some artistic newcomers misunderstand art,artist identity and the rules of artworks.By responding with Duchamp’s artistic practices,the author concludes that“ready-made” is in line with the law of artistic development,which echoes the beginning part. |
