| The Folk Errenzhuan in Northeast China has profound historical accumulation and remarkable artistic value.The Folk Errenzhuan in Northeast China is rooted in the Northeast Folk Culture.After nearly three hundred years of historical development,it absorbs and integrates many kinds of folk art essence.Different from the Errenzhuan in professional troupes and private theatres,the development of the Folk Errenzhuan in Northeast China has never stopped,carrying many traditional repertoires and performing skills that are on the verge of being lost.However,in order to attract the audience,the popular Errenzhuanin Northeast Chinahas weakened the core performance skills of the traditional Folk Errenzhuanin Northeast China,which focus on "speaking,singing,acting,dancing and Jue".As a result,under the impact of population outflow,modern lifestyle and new media,the living space of the Folk Errenzhuan in Northeast China is shrinking day by day.This study takes the folk artists of Errenzhuan in Northeast China as the research object,based on the value orientation of folk artists in Northeast three provinces in the inheritance of Folk Errenzhuan art in Northeast China,combined with the methods of field investigation,oral history,literature analysis,etc.,the paper describes the current situation of Folk Errenzhuan art in Northeast China,so as to explore the inheritance path and development law of Folk Errenzhuan in Northeast China.In this paper,from the perspective of the survival status and artistic contribution of folk artists,the historical origin,ontological characteristics,survival status and development of Folk Errenzhuan in Northeast China are deeply discussed,which provides a new perspective and reference case for the research on the protection and development of intangible cultural heritage.Based on the theoretical definition of the related concepts,this paper summarizes and analyzes the survival status of the folk artists in Northeast China from the aspects of the origin and mode of folk artists,the living conditions and spiritual core of the folk artists;summarizes and studies the artistic contributions of the folk artists in Northeast Errenzhuan from three aspects: the development of the opera itself,the improvement of the related materials and the resonance of the protection consciousness of the folk artists;explores the continuation path and law of folk artists’ art in Northeast Errenzhuan from the aspects of folk activities bearing and commercial performance promotion,intergenerational relationship teaching and honor effect traction;moreover,based on the summary of the above research process,puts forward some suggestions on the development of Folk Errenzhuan in Northeast China. |