The Tragic Study Of Ann Hui’s Films

Ann Hui is a director who insists on the creation of literary and artistic genres.Over the years,she has used her own calm and calm lens to reflect the various aspects of society,describing the ordinary life of marginal figures from the perspective of compassion and compassion,expressing her thoughts and perception of social reality.She has created one after another artistic and commercial film,which is deeply loved by film and audience.This thesis will systematically study the tragic nature of Ann Hui films based on the overall nature of her works.An analysis of tragic themes,narrative characteristics and the visual expressions of adversity in Ann Hui films will explore cultural connotations and the implications of their tragic expressions.The thesis is mainly divided into three parts.The introduction part summarizes Ann Hui’s film research background and research status,and puts forward the paper’s innovations.In the main body,the first chapter present Ann Hui’s film creation process,analyzes the tragic characteristics of her films,and analyzes the causes of her tragic creation from two aspects of personal growth experience and historical background.The second chapter analyzes the tragic narrative expression of Ann Hui’s movies,analyzes the tragic core of Ann Hui’s movies by analyzing the tragic theme,tragic plot and narrative structure of the movie,and analyzes the tragic characters of Ann Hui’s movies from three aspects: character tragedy,social tragedy and fatal tragedy shape.The third chapter elaborates the tragic image art presentation of Ann Hui’s films,and analyzes the film’s spatial construction,color composition,compassion mirror language,and sound tragedy.Thesis forms a reflection on the cultural value and social value of Ann Hui’s tragic creation.The conclusion part summarizes the value and significance of Ann Hui’s tragic creation,and grasps the artistic style of Ann Hui’s film as a whole.