A Study On Wang Xiaoshuai’s Narrative Style Of Movies

As a film director with an author’s style,Wang Xiaoshuai film with spiritual autobiography,cruel youth,three line memory,family ethics,as the main narrative content,wang Xiaoshuai creation course thesis divided into start-up,development and mature three stages,through the analysis of the narrative characteristics of each stage,summed up the documentary expounds does not break in,rational in do not break in perceptual,serious do not break tenderness of narrative style.The work focuses on individual fate and emotional state.Through Chinese expression of emotion,it presents the philosophy of "sorrow without injury,resentment without anger".The director conveys his concern and thinking about social reality and individual soul.The work focuses on individual fate and emotional state.Through Chinese expression of emotion,it presents the philosophy of "sorrow without injury,resentment without anger".The director conveys his concern and thinking about social reality and individual soul.The second chapter analyzes Wang Xiaoshuai’s private expression through the spiritual autobiography of the drifter from the background of reality and the essence of life.The third chapter starts from the youth narrative and the hometown complex,through the dramatic conflict,image contrast to carry on the author’s exploration of tension construction,presents the author’s mark.The fourth chapter,from the perspective of the family ethics films,in the real picture of family ethics under the new form,new express and present,he break through the traditional family ethical standards for the composition of film linear structure,the happy ending,through nonlinear narrative structure performance stripping and reconstruction of family relations,show the relationship of redemption and reconciliation.The conclusion summarizes the poetic and mean aesthetic expression in Wang Xiaoshuai’s film narrative style,and completes his narration of ordinary Chinese individual stories.