Study On Historical Exchange Of Film Between Chinese And Japanese During The "Seventeen Years"

The interaction and communication between film works and filmmakers is an important part of the country’s foreign cultural exchanges.On the one hand,the exchange of film culture can promote the development and progress of the film industry of the country,and promote the prosperity of the film culture of the nation;on the other hand,the exchange of film is also a bridge and bond to promote friendship between different countries and nations.In the history of Sino-Japanese film exchange,the "Seventeen Years" period has not received enough attention in the past research,but behind its political sensitivity,it presents a large number of vivid historical scenes,which can be used as a reference for the current Chinese and Japanese film exchange And the meaning of reference.This research is a sorting and summary of the historical materials of the "seventeen years" of Sino-Japanese film exchanges.The full text is divided into three chapters.The research focuses on the exchange of Chinese and Japanese films and the mutual visits of filmmakers.The first chapter summarizes the history of the films exchange between Chinese and foreign from the 1985 to the "Seventeen Years".Then,it reviews the films exchange between Chinese and Japanese before the founding People’s Republic of China.Japanese films have had an impact on the development of Chinese films on both the technical and ideological levels,but the interactive exchange of Chinese and Japanese film culture was not really carried out until the " Seventeen Years " period.The second chapter mainly elaborates the screening and dissemination of Chinese and Japanese films in the two countries during the "seventeen years" period.A series of excellent feature films featuring Japanese left-wing films were publicly released in China,which caused resonance among Chinese audiences;A group of Chinese films with "revolutionary spirit" represented by "White-Haired Girl " also met with the Japanese people through unofficial channels and various screening forms.The excellent films of the two countries also make the films of both sides merge in terms of artistic concept and so on.The third chapter mainly discusses the mutual visits and cooperation between Chinese and Japanese filmmakers during the " Seventeen Years " period.Japanese filmmakers have paid friendly visits to China four times.With each visit,the friendship and emotions of filmmakers from China and Japan can be further deepened;the Chinese film delegation also went to Japan for a month-long visit in 1962.Focusing on film diversification,performance techniques,and creative they learned a lot from the Japanese film industry.Under the special political environment of "seventeen years",the exchange of Chinese and Japanese film culture has always been inseparable from the strong political will of the country.Taking history as a mirror,the current Chinese and Japanese film exchanges should strive not to be interrupted or totally denied only by changes in diplomatic politics,and to protect and cherish the achievements of film cultural exchanges at this stage.