A Study On The Screening Of Soviet Films In Shaanxi Province In Seventeen Years

During the seventeen year period,as an important carrier of national ideology,the film’s social and educational function was amplified to an unprecedented degree.Among them,the Soviet film was unique and emerged as an example,which greatly increased the people’s recognition of socialism and the party’s leadership.Shaanxi continues the screening tradition of Yan’an literary and artistic period,which provides a deep soil for the spread of Soviet films in Shaanxi.Therefore,this paper focuses on Shaanxi,tries to show the regional characteristics of Soviet films in Shaanxi,and depicts the pattern of national screening at the same time.This article takes the screening of Soviet films in Shaanxi during the seventeen years as the research object.Shaanxi and the Soviet Union’s film exchanges have the political complexity of the times,and in the transformation from enthusiastic to critical,it reflects the strict control of film screening by the upper-level ideology.As the Shaanxi Provincial Film Projection Unit began to take shape,the function of film projection was refined and decentralized,but this decentralization of power essentially imitated the Soviet Union’s vertical distribution and projection system from the central to the local,with an administrative mechanism oriented,and out of the operation of the market.Therefore,in the process from the central government’s order to Shaanxi Province’s actual implementation of the policy,there has always been a gap between the upper-level ideology and the lower-level people’s response,and some discourses outside the regime have been generated.Faced with these problems,Shaanxi Province adopts a "top-down" solution strategy,from the government to social organizations to individuals.In addition to policy support,cinemas,the Sino-Soviet Friendship Association,and propaganda publications have formed a diverse situation at the social level,and projectionists themselves have also actively participated,overcoming many difficulties encountered in projection practice to a certain extent.Soviet films have brought a brand new cultural experience to Shaanxi.It is not only a popular element,but also a fashion symbol.Behind the "Soviet craze" is the imagination and practice of "modernity".Some Shaanxi audiences There is also the problem of excessive idealization of the Soviet Union;as a tangible carrier of learning modernity,Soviet film undertakes the mission of serving the development of productive forces in science and education,accelerating the process of promoting people’s learning of industrial civilization,and also providing women with opportunities to get out of the family.It is more likely,but there is also a simple illustration of "modernity" behind it;the ideological expression in Soviet films has subtly formed a public ideology that criticizes imperialism and supports socialism,which is shaping ideology.It plays a role in the construction of positions and subjects.