Research On Chinese Two-Dimensional Film

With the development of Internet,new media has entered the stage of big bang.The network speed and data processing technology are constantly improving.The film,games and other entertainment industries are affected by this.The domestic dual film has shown a positive trend.In recent years,domestic binary films occupy an important position in the film market,and also occupy a large share in the box office of films in recent years.They have gradually entered the audience’s view.Therefore,it expounds the type research,creation situation,narrative characteristics and construction mechanism of domestic binary films,and reveals various problems and constraints of the development of domestic binary films,It is of great value in both academic and practical aspects.First,this paper mainly focuses on the creation of domestic binary films in recent years.The Chinese binary film studied in this paper is actually the intersection of the big concept of binary culture and the film media: it includes original animation film,game adapted animation film,cartoon and TV animation adaptation animation film,3D animation film with dual cultural thinking characteristics and emotional expression,and real-life film(including symbiosis of real person and virtual image),This paper mainly studies the historical communication and development status and artistic characteristics of various works in the binary film;The research includes the history and development status and artistic characteristics of the domestic binary film,the domestic dual tourism film and the domestic dual yuan light film,and analyzes the historical origin,development status and unique art characteristics of the domestic binary film.Secondly,the thesis mainly studies the narrative of the domestic binary film.First,the narrative strategy of the second-dimensional film is analyzed,which mainly analyzes the reconstruction of narrative time and space and the breaking wall fusion of narrative techniques;Secondly,the construction and analysis of the character image of the binary film mainly from the inside to the outside of the character design and the cross-border narrative of the binary animation characters;Finally,the audio-visual construction of animation of the binary film is analyzed.The unique narrative strategies of the domestic binary film are explored mainly from the animation image sound and the pop screen language.Thirdly,the paper studies the significance construction mechanism of domestic binary films.First,the paper explores the tuber structure and the second dimensional film,mainly from three aspects: the audience training of the binary film under the Internet "tuber structure",the binary element with the function of "escape line" and the rise of the new "thousand aspects" of the binary film;Secondly,the author studies the "small narrative" and "the secondary film",mainly from the three theoretical levels: the decline of "big narrative" and "small narration",the "database consumption" space of the second-dimensional film and the postmodern animalization tendency of the binary film;Third,the research on the generation of the heterotopia of the binary film mainly studies from two aspects: the image imagination of the "heterotopia" and the expression of "super real" image in the binary film.Because only under the support of theory,the domestic dual film can steadily develop.Thirdly,the thesis criticizes and solves the existing problems of Chinese binary films.First,the paper analyzes the existing problems of domestic binary films,mainly from the irrational aesthetic advocacy to criticize and guide,and from the perspective of nihilism rampant disaster,to explore the significance behind the dual film and the value of the Chinese binary film,It helps the audience,especially the young audience,to discriminate the wrong value orientation,and to criticize and explore from three aspects;Secondly,the paper mainly puts forward constructive opinions on the existing problems of domestic binary films,hoping that the creators can learn positive and optimistic narrative strategies from them,and avoid negative narration and negative values.Finally,the paper summarizes the development characteristics of domestic binary films,clarifies its development significance,provides clear theoretical support and clear aesthetic values for the new generation of creators,and makes the positive energy in the domestic binary films continue to develop,and the negative energy disappears.