The Study Of Australian Indigenous Art Of Papunya Dot Painting

Australian aboriginal people have lived on the Australian continent for more than 50,000 years,and their history,culture and art have their own distinct characteristics and aesthetic values.Primitive art is one of the earliest cultural forms of mankind,and its historical status and importance are worthy of our deep consideration and exploration.In the period,when local art is gradually marginalized and European art dominates,how can we find out the charm and importance of primitive art,discover its role and significance in art history,and find out the objective laws of art development and the future direction of development? It is a question for art researchers in every country to think about.Papunya occupies a pivotal position in the history of Australian contemporary Aboriginal art and was the first Aboriginal community to adopt acrylic paintings.The dot painting art of the Papaya indigenous community is regarded as the most representative art form in Australian indigenous art.It has become a unique and beautiful one with high research value.For the current lack of domestic research on Australian aboriginal art,especially the art of Papaya soil point painting is unfamiliar to most people.In previous studies,preliminary research and exploration have been done on the totem and symbol analysis of Australian aboriginal art,the issue of aboriginal land rights,and the interpretation of painting materials.However,there has not been an indepth systematic analysis on the research of pointillism,and it is only mentioned as a part of indigenous art.Papunya dot painting art is a representative of indigenous art in the western desert area,and its form and content have their own characteristics and aesthetic value.This thesis explores the historical origins of the stippling art that has not been carried out in previous studies,and strives to achieve specific and systematic academic research.Through literature research,case analysis and field investigation as the main research methods,case and work analysis,literature data and survey results as the basis for scientific research combining theory and practice.In terms of the structure of the thesis,the beginning of Papaya’s painting movement and the origin of stippling are the starting points for research.From the background of Papaya’s stippling art and the origin of stippling,the predecessor of stippling is the interpretation of desert painting and traditional rituals.Practice.Thirdly,analyze the visual symbols and themes of Papaya’s stippling,study the prototype,meaning and function of visual symbols,as well as the common types of themes in stippling works-namely "water dreaming","travel dreaming" and "fire,spirit,myth and medical dreaming".In the analysis of exploring the characteristics of Papunya dot painting,through the analysis of the style and expression of the work,the content and emotion of the work,the three-dimensional effect,symmetry and decoration of the hazy and dreamy form are found.The characteristics of sex and the characteristics of simplicity and abstraction;the characteristics of narrative and immediacy,sacredness and mystery,inheritance and tribal feelings.In summarizing the commonalities and individual characteristics of his works,he discovered the essence and meaning of Papaya’s pointillism,and felt the charm and vitality of indigenous art by exploring its own characteristics.In the process of exploring aboriginal art,finding out the value and irreplaceability of aboriginal art,and what are the desirable aspects of its application in today’s society to better invest in real life and play its value is the purpose and significance of the research.While affirming the significance and role of indigenous art in the history of art,at the same time,from subjective factors to objective factors,internal and external factors,we consider the objective laws of the development of human art.The last chapter of the thesis is the analysis of the current situation and future development direction of Papaya’s art of pointillism.With regard to the phenomenon that stippling art has entered the world art market and has received more and more attention,and the establishment of the Papunya Tula Art Company and the "Papunya Tjupi" Art Center,it is inferred,explored and practiced through generations of Papaya stippling art.The future direction of development.As an indispensable part of every country,the study of local art will serve as a reference for future development.It is hoped that through this research,we can guide us to pay more attention and support to the "marginal art" or "niche art" that is easily overlooked in human civilization,and to find corresponding measures that are both scientific and feasible.Learn the essence of it.