A Study On The Custom Of Tibetan Banquets In Ganzi Tibetan Autonomous Prefecture

Tibetan folk customs are rich and colorful.There is a folk custom in Ganzi,which is highly praised by local people.It has various contents,rich forms and profound implication.Laughing banquet is the product of ethnic self-confidence,is the historical carrier of rural folk culture,and has high literary value.It is a traditional folk oral performance form which integrates literature and drama,and is one of the important ritual links in the daily life and life rituals of Tibetan people in rural areas and cities.Banquets mainly appear in local banquets or parties.It is a kind of oral tradition to make people laugh and make the scene atmosphere happy.It is usually presented in the form of two-person or multi-person dialogue.At present,there is little research on this folk custom.This paper takes the banqueting custom as the research object which is explained mainly from the performance theory and the stylization theory.Based on the historical and cultural memory and ecological environment of Xiangcheng Tibetans,this paper analyzes the living context,space field,performance forms and characteristics of the banquets,deeply explores the cultural connotation and the deep meaning of the cultural functions of the banquets,and puts forward suggestions for better inheritance and protection of the banquets.This paper includes introduction,five chapters and conclusion.The introduction explains why the topic is selected,and points out the significance of the article and the research content.Moreover,it summarizes the research status,introduces the research methods and theories,and illustrates the research process and field survey.Mainly starting from the ecological context of Xiangcheng Tibetan culture,the first chapter of the text discusses that the natural geographical environment of Xiangcheng provides the basic conditions for the formation of Xiaoyan,and the humanistic and historical environment provides cultural soil for the development and stability of Xiaoyan.In the second chapter,on the basis of field investigation,combined with in-depth experience on the spot,this paper expounds the performance field of banquets and discusses the interaction between performers and audience.Mainly from two aspects of life etiquette and daily life,this paper shows the living space of the laughing feast custom,introduces the performance field,performance form,master and inheritor of the banquets.The third chapter analyzes the content,the typical scenes and the narrative paradigm of the banquets by using the stylization theory.At the same time,it also discusses the immediacy characteristics of the banquets,so as to clarify the constituent elements of the banquets.The fourth and fifth chapters mainly explain the cultural connotation and cultural function of the banquets,and analyze the cultural connotation behind the banquets from the specific performance contents,so as to further discuss the cultural functions of the banquets custom of the local Tibetans.The last part of the article is the conclusion.Starting with the opportunities and challenges brought by the unstable factors such as popular culture and foreign culture,this paper combs the development status and difficulties of the laughing banquet custom,so as to explore the internal mechanism of the inheritance and development of the laughing feast custom in combination with the social reality,so as to suggest ways to inherit and protect the banquets custom of the rural and urban Tibetans.