Research On The Cultural Connotation And Ritual Function Of Tibetan Dolma Plastic Panel

Dolma plastic board is one of the main tools of Tibetan sacrificial culture,and it is the physical evidence that witnesses and records the religious and cultural drastic changes in the historical torrent.Objectively interpreting and exploring the cultural history hidden behind the doma plastic board can make up for the lack of information in society,culture,folklore,production,and life in the official history.To study Doma plastic panels,this topic involves multiple disciplines such as art,religion,rituals,iconography,etc.This thesis attempts to interpret the ritual activities contained in Doma plastic panels and the cultural connotation behind them through the image symbols of Doma plastic panels.In this paper,firstly,through field investigations,the different Doma plastic panels were photographed and sorted into image data for research.Dorma Plastic Board involves complicated ritual procedures,and these ceremonies have their own model texts.After screening and summarizing these ritual documents,the author has a one-to-one correspondence with the ritual images on the Doma plastic board,and recognizes the content of the images through the ritual "cultural/relic" binary mutual verification method.Afterwards,through the ritual documents,the special symbols,content,and rituals on the Doma plastic board were studied academically,and the profound cultural connotations contained in it were discovered.These contents are not all closely related to DORMA plastic panels,but have important significance for the interpretation and interpretation of the image symbols and cultural connotations of DORMA panels.Finally,the author tried to study the rituals of disasters through the witchcraft theories of Fraser,Durkheim,and Levi Strauss,and the rituals of the god of war(mountain gods)by the threshold theory of Van Genep and Turner.,Freud and Levi Strauss’ totem theory studies the ancestor worship and totems in the arrow-cutting festival,and analyzes Ronda’s color classification with Turner’s symbolic anthropology theory.The article also compares the literature and images of the "Shan Hai Jing" on the gods of the Doma plastic sheet and found that the images of the land gods and mountain gods formed a common origin in the two cultures,which proves the historical fact that the Chinese culture is pluralistic and inclusive..As the conclusion of the article,the author made a simple analysis of the essence of Tibetan folk beliefs,the religious transformation of folk beliefs,and the attributes of folk beliefs through Mr.Yang Qingkun’s research on folk religions.