Study On The Art Inheritance And Development Countermeasures Of Beijing Tianjin And Hebei Folk Clay

It can be seen that the cultural ecology of our country is also changing with the acceleration of the process of global cultural integration.Under this situation,intangible cultural heritage has been impacted in many aspects and lost its living space,so it is in urgent need to strengthen the protection of it.As an important intangible cultural heritage in China,folk clay sculpture is a cultural treasure accumulated by Chinese civilization after a long history,which is also an artistic crystallization of the combination of farming civilization and nature in China for thousands of years.There is no doubt that the clay sculpture in Beijing,Tianjin and Hebei is the representative of Chinese folk clay sculpture,in which its distinctive forms of artistic expression play a positive role in inheriting the folk culture of our country,and it is also an important part of the folk art of our country.However,the rise of new culture and the erosion of foreign culture have generated a huge impact on the development of folk culture in our country with the rapid development of the times.The folk clay sculptures in Beijing,Tianjin and Hebei as an important carrier of Chinese culture have gradually fade out of the people’s vision due to the lack of inheritors and the way of inheritance that does not meet the needs of the times.At the same time,the state has repeatedly stressed the construction of Chinese excellent traditional cultural inheritance system,the improvement of the protection of cultural heritage,and the revitalization of the traditional craftsmanship over the years.Thus,the study of the artistic inheritance and development of Beijing,Tianjin and Hebei folk clay sculpture as an important traditional handicraft in China is helpful to the development and revitalization of other traditional handicrafts.As for the research of this subject,it mainly solves the following two problems:Firstly,it is the investigation on the present situation of Beijing,Tianjin and Hebei folk clay sculpture and the countermeasures of its own development.In this paper,it understands the present situation of the inheritance of folk clay sculptures in Beijing,Tianjin and Hebei from the aspects of folk customs,creative themes and cultural product markets,so as to explore the problems that are not conducive to the inheritance of folk clay sculptures.In combination with the development needs of the times and the changes of people’s aesthetic taste,it puts forward some suggestions for the protection of folk clay sculptures in Beijing,Tianjin and Hebei,in which it pays attention to the exploration of the mode of thinking and marketing strategies from Tianjin clay man Zhang suitable for the inheritance of other folk clay sculptures in Beijing,Tianjin and Hebei.Secondly,it is the diversified inheritance ways for Beijing,Tianjin and Hebei folk clay sculptures.Besides,it makes the study on Beijing,Tianjin and Hebei folk clay sculpture inheritance and development strategies from the multiple levels,including the combination of Beijing,Tianjin and Hebei clay sculpture creation and urban public culture,the study of the application of Beijing,Tianjin and Hebei folk clay sculpture image in urban public culture from the public art level;as well as the exploration of the Beijing,Tianjin and Hebei folk clay sculpture publicity and promotion by using the current popular we media with rapid and convenient communication way.With the culture and art entering into the campus,it makes the study on the culture contained in local colleges and universities to make the spread of the Beijing,Tianjin and Hebei folk clay sculpture art form among students,which also makes the study of the important role of Theme Art Museum in promoting the inheritance and protection of Beijing,Tianjin and Hebei folk clay sculptures.On the basis of the study of the above two problems,it can solve some problems of the inheritance and development of Beijing,Tianjin and Hebei folk clay sculpture in theory,which is helpful to the integration and coordinated development of folk clay sculpture cultural resources in Beijing,Tianjin and Hebei region.Meanwhile,it can also provide a positive and valuable reference for the development and revitalization of folk culture related to folk clay sculpture or the like in other regions.