| In today’s materialistic and rapidly changing environment,people begin to seek the unconscious spiritual support from intuition,improve people’s spirit,and begin to pursue non classical aesthetic taste.Through Freud’s psychoanalysis and Jung’s collective unconscious theory,this paper analyzes the unconscious creation in ceramic decoration creation,and completes the ceramic decoration creation in the unconscious state through practice.Unconsciousness and consciousness are two opposite concepts.Design is the embodiment of consciousness and integrates unconsciousness into conscious design.The two groups of works take the earth and nature as the theme,and the pigment as the ink.After mixing the colors,they are smeared on the green body to let it flow freely.Under the action of intuition and unconsciousness,they outline the combined colors with fantastic colors.Using the method of pigment carving,they depict the natural creatures and create the atmosphere of fantastic earth.Naturally generated with unconscious creation color ceramic glaze decoration works.This design captures the unconsciousness in the process of creation,learns the theoretical knowledge related to unconsciousness and combines with conscious design.Through the analysis of cases about unconsciousness creation,according to the characteristics of these cases and combined with ceramic decoration,this paper analyzes the artistic characteristics in the process of ceramic creation.These case studies help the author constantly think in the process of creation,It provides inspiration for this creation.In the process of practical operation,it further stimulates the natural frankness of ceramic decoration design in creation.While showing the unique aesthetic feeling of ceramics,it is possible to stimulate more possibilities by the unconscious creation mode.For example,the color flow that is not subject to subjective control in the creation can enrich the visual effect,cause the audience’s subconscious resonance,give play to the imagination space,and broaden the possibility and richness of ceramic material performance. |