National Industry Writing In Left-wing Novels In 1930s

In the 1930 s,profound changes had taken place in Chinese society.In politics,the Kuomintang insanely encircled the Japanese invaders.Economically,the national industry has developed briefly;Cultural proletarian thought has been widely recognized,the left-wing writers growing,coupled with the introduction of the international left-wing red theory,for the development of the proletarian thought in China provided a thick soil.In this context,the working class is growing,mainly machine production of industrial production also has an important role in the social production,the left novels is the product of The Times,It is also the key to the analysis of the internal contradictions in the industrial society of the 1930 s.Left-wing writers,under the guidance of Marxism,pay attention to the development of national industry from the perspective of broad social space,mainly expressing the life of industry,factories or workers,reflecting the inherent contradictions and social problems in the industrial field,and discussing the value and lack of national industry in left-wing novels.This paper is mainly divided into six parts:The first part discusses the time context of left-wing national industry writing from the perspective of the difficult growth of national industry and political and cultural context.First of all,in the political and economic aspect,the development of national industry was confronted by the foreign capital,and the intellectuals’ dream of becoming an industrial power was born under the crisis.The working class could not continue to live under the oppression of various parties,and the workers’ revolutionary movement increased one after another.Culturally,the Kuomintang’s restrictions on literature and art caused dissatisfaction in the literary and art circles.With the continuous Sinicization of Marxism,the proletarian literary and art thoughts were more widely recognized,and the left-wing writers’ ranks continued to expand,and the vigorous development of international left-wing literature also provided theoretical support.The second part is the author’s identity and creation proposition.The literary and art circles of the 1930 s were filled with the cultural context of "pan-politics".Left-wing writers had personal experience of the industrial civilization and its creativity.They also paid attention to the sufferings of the bottom working class and determined to be the spokesman of the suffering life of the proletariat and create "literature that speaks for the oppressed class".Especially after the establishment of the "Left Alliance",the creative methods and ideas were adjusted in a unified way to reveal the inherent contradictions of industrial production and industrial system.The third part is mainly the theme of the left-wing industrial novels,mainly analyzing the general problems in the industrial field.Compared with the previous May4 th labor novels,this part focuses on a broader social space from the perspective of social system The rural economy and the mental state of workers are used to find the root cause of the difficult living environment of the collective workers,and also to express the revolutionary political tendency advocated by the left wing,to find the way out for the working class,and to reveal the deformity of the national industry.The fourth part is the image of the characters,which is divided into industrial workers and women workers and capitalist left-wing writers focus on the oppression of the bottom class,trying to call on the working class to rise up against the oppression,creating the image of the bottom workers who are followers of the awakening and numb,and at the same time creating the image of the women workers who survive hard as the gender weakness In this period,the image of national capitalists,as the practitioner of patriotism and the exploiter who put more emphasis on interests than righteousness,also appeared on the paper.The fifth part is the aesthetic style of the left-wing national industrial novels Throughout the twentieth century industrial literature’s tone is noble and solemn and stirring,30 s left writing industrial literature is in the tragedy to a road of hope,the left some common in this part chose the novel image to reflect the ’30 s industrial society’s survival tragedy,hope that through common pain remind readers of the working class Therefore,from the perspective of narrative,left-wing writers adopt the omniscient and omni-powerful way to show the national industrial environment and pay attention to the reality.The sixth part is the summary of the gains and losses of the left-wing creation.As the first batch of industrial literature in the real sense,Left-wing adopted panoramic description in its creation,showing a rare openness.In the propaganda of the revolution also showed a unique profundity.At the same time,it also has its limitations.The stylization and conceptualization of the works affected the richness of the creation in the1930 s to a certain extent.