The Hibernating Strategy Of The Revolution:Left-wing Theory After The Failure Of The Great Revolution

This paper enters the study of left-wing theory in China with "revolution" as the key word.After the failure of the Great Revolution,the left-wing literary and artistic movement was a "cultural revolution" led by the Chinese proletariat.It has a profound influence on the shape of modern Chinese theory.The thesis is divided into three chapters.The first chapter of the left-wing theory of the theoretical foundation :revolution and enlightenment,the concept of the debate.Through the combing of the relevant concepts to clarify the Western world’s "revolution",how to rerelease through Japanese culture was accepted by the late Qing people and the Chinese traditional "revolution" of the process.The second chapter mainly explores the theoretical thrust of left-wing literary theory:literary instrumental theory and literary class theory.The failure of the Great Revolution in1927 led the Chinese Cultural Center to complete a great migration from north to south.The most remarkable feature of this period is the large number of translations of Marxist theory.The late creation society caused a large-scale theoretical debate in the literary world in order to publicize revolutionary literature.This revolutionary literary debate,which affects the creative society,the Sun Society,the language silk and the new moon,finally focuses on the contention of theoretical issues such as "literary class theory","subject revolutionary consciousness","speaking machine" and "literature is propaganda".It not only expanded the influence of the proletariat revolutionary movement,but also provided a powerful theoretical weapon for the soon-to-be-established Left Union.The third chapter starts with the critical practice of left-wing literary theory and takes the combination of text reading and literary history phenomenon interpretation to interpret the literary historical significance of "revolutionary romantic ".This chapter first selects the representative works of the Japanese writer Yokomitsu Riichi and the French writer AndréMalraux to read the text carefully to reveal how the extraterrient writer "imagines" the Chinese revolution.The revolutionary writing in the "other" field of view fails to explain the "true face" of the Chinese revolutionaries.At this time,China’s left-wing writers are also thinking about how to write the Chinese revolution,to infect young people to join the revolutionary team,Jiang Guangci is one of the most representative writers of this period.He said that the creation of "revolutionary romantic " expression,quickly occupied the vast readership market.Jiang Guangci’s appearance filled the gap in the literary world and played a key role in the propaganda of the left-wing literary movement.But at the same time,he is also the object of the literary world is isolated,modern literary historian Xia Ji’an called it "the phenomenon of Jiang Guangci." Through the reinterpretation of the "Jiang Guangci phenomenon",we can sketch out the historical context of the rise of "revolutionary romantic " from the rise to the micro-style.