Modernity Hybridity-TH Disscussion And Analysis Of The Left-wing Film Produced By Sun Yu(1932--1934)

Sun Yu is an excellent movie writer,in the twenties and thirties of the last century,he worked at Lianhua Film Company and emerge in the wave of the left-wing film.From 1932 to 1934,He wrote and directed six left-wing films:Wild Rose,Volcano Love Blood,Dawn,Little Toy,Sports Queen,The Road.They both have a distinctive personal style and modernity hybridity."Modernity" in this article contains three aspects: "Enlightenment Modernity", "Substance modernity", "Aesthetic Modernity".They are correspond to the political, economic and cultural.The left-wing film directed by Sun Yu,show the modernity to us in revolution,metropolis and rural three aspects,this made modernity become hybridity.In the film, "Enlightenment Modernity" is composition by revolution,it means national consciousness and individual self-awareness’ s awakening, which plays a role to build national Community national salvation.Metropolis in the film concerned complex attitude toward "substance modernity",in the point of left-wing cultural,it has a critical attitude to the metropolis culture, but it also expressed the praise and longing to the metropolis landscape.Rural have two faces,they are poetic and practical,Among them, the romantic poetic countryside exist as the opposites of metropolitan Aestheticsic,this is a kind of questioning and reflection to "Material modernity".Modernity hybridity in Sun Yu’s left-wing film made it become a successful model.This hybridity of modern made the left-wing film get a more balanced development in commercial property,political property and artistic property.Contemplation of the times, take into account the art and public preferences in the collision and fusion of multiple discourse of Modernity,has enlightenment for the Chinese on the current mainstream film’s production and propagation.