Research On The Style Of Stone Carving Calligraphy In Northern Qi Dynasty

The style of carving stone calligraphy in northern qi dynasty abandoned the characteristic of "oblique drawing and tight knot" in luoyang body of northern wei dynasty and turned to the style of "flat drawing and wide knot".This paper takes the literature analysis and the chart analysis as the main research method,and studies the style and style of the carved stone calligraphy in the northern qi dynasty,the cause of the style of calligraphy and the value of calligraphy.First of all,to put the epitaph,statues,moya carved by the different kinds of sharpening the calligraphy of their different cultural background and style,and then,through the study points out that the localization and Hu Hua beiqi period is affected beiqi book wind,the root cause of beiqi localization push official script revival,but han Hu Hua,resulting in a large number of han Chinese writing level drops,destroyed the localization process,polarization of beiqi book wind appear quality differences.Due to the lack of the background of political culture restoring ancient ways and the basis of the study of jinshi,the academic world has misread the understanding of "restoring ancient ways" of the northern qi style.Finally,it points out the influence of stone carving calligraphy in northern qi dynasty on stele calligraphy in sui,tang and qing dynasties.