Study On Calligraphy On Book Cover In The Republic Of China Period

The Republic of China is in a special historical period where the ancient and modern,China and the West meet.The development of printing technology,the changes in book and magazine design and the influence of Western art styles make the font design of this period present a variety of styles,whether it is books,newspapers,outdoor advertising There are a large number of artistic characters with distinctive styles appearing on the cards and the month cards.Compared with other carriers,the font design on the cover of books and periodicals is of higher design level and more representative.This article mainly focuses on the design of artistic characters on the covers of books and periodicals,especially the cover of books and periodicals.The study of the design of fine art characters in the Republic of China has a role in inheriting the past.It not only shows the unique characteristics of the times,but also a new form of expression of Chinese character art.Fine art characters have not only inherited but also developed traditional Chinese characters.Fine art characters are the design art form of Chinese characters,and are the result of the transformation,processing and decoration of Chinese characters.The thesis mainly takes the artistic character modeling of books and periodicals on the cover of the Republic of China as the main research object,uses the cross-disciplinary perspectives of fine arts and morphology,and comprehensively uses the research methods of historical literature research,comparative research and case studies to strive to reappear the artistic characters of books and periodicals on the period of the Republic of China.In the eyes of the public.The thesis focuses on the historical background,morphological characteristics,development trend,unique performance,historical thinking and reflection of books and periodicals on the cover of the Republic of China during the Republic of China period.The lessons are important historical mirrors and provide historical experience and reference for the innovation of modern font design.The thesis is mainly divided into four parts,and discusses several aspects of the artistic characters on the cover of books and periodicals in the era background,the modeling of the artistic characters in the covers of books and periodicals in the Republic of China,the unique performance of the artistic characters in the period of the Republic of China,and the historical thinking and reflection of the artistic characters in the covers of the books and periodicals in the Republic.Analyze the diversified styles of artistic characters on the cover of books and periodicals in the Republic of China period,and classify different types of artistic characters,which can be roughly divided into: artistic characters with traditional calligraphy characteristics,artistic characters with Song-style deformation,artistic characters with calligraphic deformation,romanized artistic words,Fine art characters with Western modernism style,etc.It also analyzes the artistic character design groups and their works,discusses the cultural characteristics of the periodical,inclusive,national,Chinese and Western collisions and innovations of the artistic characters of the cover of the books and periodicals of this period,and finally expounds the shape of the artistic characters of the books and periodicals of the Republic of China period.Value enlightenment,and reflect on the problems and phenomena that appear in the design of artistic characters.Fine arts in the Republic of China period was a new font art form produced under the aesthetic vision at that time,which embodies the specific spirit of the times and national culture.Modern Chinese font design began to sprout and gradually prosper.This article systematically sorts out the artistic characters of the cover of books and periodicals in the Republic of China period,so as to draw on the expectation from the design ancestors in the Republic of China period and continue to move forward.