A Study On The Design Of Artistic Calligraphy During The Period Of The Republic Of China Under The Perspective Of Semiotics

With the rapid development of science and technology,spiritual and cultural needs have become a necessity for modern humans.As an important carrier for transmitting information,text bears an accurate and efficient media function.In addition,it is also given the important task of expressing the visual effects of new thinking styles.Nowadays,the calligraphy design popular in the period of the Republic of China has become a new trend in modern type design.The trend of thinking of this design return has prompted modern type design to have to reexamine the artistic value and research significance of the calligraphy of the Republic of China.This article takes the fine arts of the Republic of China as a case,and uses the theories and methods related to semiotics to theoretically comb and explore the fine arts of the Republic of China.Whether it starts from Pierce 's semiotic triad,or explores from the perspective of Morris 's pragmatics,semantics,linguistics,or the personal experience of Susan Lange 's emotional semiotics,every semiotics The theories endowed different theoretical resources and thinking methods of the fine arts of the Republic of China.The article analyzes the characteristics of the font symbols of the fine arts of the Republic of China,excavates the characteristics of the font symbols,extracts the main symbol elements,and combines case applications and personal design practices to practically discuss the semiotics at the level of semiotics with reference to the inheritance and innovation of semiotics.The application value and aesthetic significance of fine arts to modern font design.Finally,it was concluded that in the modern typeface design,the return of the design of fine arts in the Republic of China is not only an innovation in design ideas but also a heritage of traditional culture.It absorbs Japanese and Western font design concepts and techniques and inherits traditional Chinese character art The combination of meaning and form.This diversified,symbolized art script of the Republic of China also provides unique design elements and great imagination space for the development of modern font design.Studying the design of Chinese calligraphy from the perspective of semiotics can enable designers to understand all aspects of font design from a new point of entry,and provide a new direction for the development of font design in modern visual communication design.In the future of font design,semiotic research will continue to provide designers with a wealth of theory,expand their creative ideas,and then let modern visual communication design emerge more exciting works.