A Study Of Festival Poetry In Wei,Jin,Southern And Northern Dynasties From A Multidimensional Perspective

The writing of festival poems in wei,jin and southern and northern dynasties not only reflected the folk culture,but also reflected the political,literary and aesthetic concepts of the aristocracy.The writing of different festival poems contains different elements,so it is necessary to examine the writing of these festival poems from different dimensions.In the wei,jin and southern and northern dynasties,shangsi poetry,qixi poetry and chongyang poetry occupied the dominant position in number.The content and subject matter of these festival poems are different,and the environment and background of writing these festival poems are also different.The research on these festival poems can be started from different perspectives and analyzed from different perspectives.The first chapter studies the festival poems of wei,jin and southern and northern dynasties from the perspective of folklore.From the perspective of folklore,this paper studies the festival poems of wei,jin and southern and northern dynasties as a whole,including the poems of shangsi,qixi and chongyang which are dominant in quantity,as well as the festival poems,memorial festival poems and religious festival poems which are not dominant in quantity.This chapter investigates the folk culture images in these poems and the influence of folk culture on their creation,and analyzes the feelings expressed by the poets when they writethese poems.The second chapter studies the shangsi poems of wei,jin and southern and northern dynasties from the perspective of garden aesthetics.From the context of historical development,this chapter points out the garden aesthetic characteristics contained in shangsi poems of wei,jin and southern and northern dynasties.As the gardens in which shangsi poems are written are different in different periods,the garden aesthetic images in the poems are also different.Based on the historical process of shangsi poetry creation,this chapter studies the beauty of the gardens conveyed in shangsi poems.The natural ecological landscape and architectural landscape written by the poet in shangsi convey the poet’s personal life experience,as well as their political,natural and cultural concepts.The third chapter will be the wei,jin,southern and northern dynasties Qixi Festival poetry on the theme of the palace under the perspective of research.The theme of the palace for the penetration of Qixi Festival poetry in different historical stages of the performance is not the same,the different stages of Qixi Festival poetry writing subject matter and content is not the same.Wei dynasty appeared the image of zhinu,the western jin Qixi Festival poetry paid attention to the natural theme,the eastern jin Qixi Festival poetry appeared the erotic characteristics,to the southern and northern dynasties period,the palace theme to the penetration of Qixi Festival poetry experienced the early period,mature period,deepening and developing period.In the northern and southern dynasties,the characteristics of Qixi Festival poetry were obviously strengthened,which was mainly reflected in the writing content and writing technique.In the Qixi Festival poetry of the southern and northern dynasties,the scene of women piercing the needle repeatedly,the image of the cowherd weaving,the fine description of the subtle things in life can be seen as the specific performance of permeating of the theme of the palace in Qixi Festival poetry.In the fourth chapter,the chongyang poems of wei,jin and northern and southern dynasties are studied from the perspective of subject matter.In different dynasties,the themes chosen for the poems on the double ninth festival are different.In eastern jin poet,due to swim fairy theme and landscape material,the influence of the main themes so chongyang poems in this period is also writing the two subjects.In the northern and southern dynasties,chongyang poetry writing from landscape into system themes,experienced in the song,qi,liang,Chen the four dynasties,the development of system subject to chongyang poem infiltration is deepening gradually,the liang dynasty reached the peak,and the generation of Chen and north,and tends to decrease.In the southern dynasties,the ruling class was fond of parties and parties,and they had high literary literacy and attainments.They encouraged poets to write poems.Therefore,most of the poems written by poets on the double ninth festival reflected the living conditions of the royal family or the noble literati.In addition,these poems about the double ninth festival in autumn also show an irreplaceable beauty in the changes of the natural landscape.