Study On The Image Of Female Spy In Chinese Special Films In Seventeen Years

The special film is a kind of genre film which is extremely representative and characteristic in seventeen years’ films of China.It has the ideological color of a particular historical period in China.In addition to the suspense thriller elements inherited from the detective films,another important factor of the reason why special films are so popular with audiences is the eye-catching female spy on the screen.In most of these films,the female spy was the villain.At that time,the positive images of women on screen were masculine.The negative image of the female spy not only has the political propaganda significance,but also satisfies the audiences’ entertainment desire.This paper takes the female spy with special status in the special film as the research object,studies what kind of female spy image is depicted in the seventeen years film,analyzes how the female spy role is portrayed in the seventeen years film,and research the reasons for shaping this kind of female spy image in the specific historical environment.While the special film highlights the heroism,the female image is in a alienated position.The women of the "good guy role" tend to hide feminine characteristics and present a"neutral" image.On the contrary,the female spies with strong visual impact represented by the "bad guys" often attract people’s attention because they are too prominent and even dissimilar to the female characteristics,creating the image of femme fatale.In addition,there are some female spies who use their identities to hide from ordinary people,either with the same "no-gender" or even "masculine" tendencies as positive female characters,or they are portrayed as the old and the ugly.In the seventeen years specific film,the female characters,especially the female spy characters,were created with a flat,demonized face.The status of female characters in the film became an accessory and a victim.As a female image in the film genre,female spy changed the subordinate status of women in early films,gradually becoming the main character in the film,even the first villain,showing the continuous exploration of women own subjectivity and the change of women social status at that time.The transformation process of female characters in the film has gone through a series of conscious or unconscious body revolutions and social changes.In this process of change.there is also a certain alienation,which also reflects the contradiction and crisis of social politics and the development of civilization to some extent.The dissimilation description of the image of the female spy in the anti-spy film not only reflects the change of the status and function of women in the film and television works,but also reflects the impact of the change of social environment on women’s social status and family status,as well as the change of women’s individual consciousness.This paper is divided into four chapters to study the image of female spy in seventeen years of special films in China.The first chapter sorts out the image characteristics of female spy in seventeen-year Chinese specific film.The second chapter discusses the image construction of female spy in seventeen-year Chinese specific film.The third chapter makes an ideological analysis of the image of female spy in the seventeen-year Chinese specific film.The fourth chapter puts forward the problems and inspirations of the image building of female spy in seventeen-year Chinese specific film.This paper attempts to analyze the female spy image shaping in the special films in the period of seventeen years,and analyzes the reasons for the demonization,status weakening and body dissimilation of female characters,so as to call for the overall shaping of female characters and the attention to female characters.