| Since the Han Dynasty,the development of ancient Chinese traditional art and culture began to enter the peak,and it can be said that the ancient pavilion architecture has made a leap of development,the embryonic form of its unique pavilion architecture style system has been basically formed,and its overall production and decoration technology has developed quite mature.The construction form of its architecture and the art form of traditional decorative culture have been basically able to achieve a perfect combination.But as the historical changes,the replacement of political culture,complex light and glory of the former han dynasty slowly disappeared,our intuitive to see the ground construction of han dynasty has largely ceased to exist,can only see on some of the han dynasty stone of han dynasty architectural sculpture,but after all is planar engraving,reflect the characteristics of the building by a hair,The excavation of pottery buildings in the Han Dynasty makes people re-examine the former glory of han architecture.As a kind of religious ceremonial implements in the Han Dynasty,the characteristics of pottery building,such as the design form of products,the selection of materials and technology,and the requirements of the scale and method of design and production,all reflect the characteristics and rules of the social and political structure change process and the evolution and replacement process with other religious beliefs of burial.On the other hand,it profoundly reflects and reflects the game of complex contradictions and the law of change and development process caused by the unique mechanism of political interest gradation distribution within each class subject in ancient Chinese society.At the same time,it reflects the various historical clues left by folk society customs,culture and art in the development and evolution of funeral beliefs.As a kind of primitive folk handicraft in The Han Dynasty,it also reflects the primitive folk creation art and various advanced social ideas and concepts developed at that time as well as the superb production technology level.Pottery building in Han Dynasty is a mirror image of the structure and technology of ancient architecture.The author in this article,through the aesthetic view of creation in han dynasty,and the social ideology and culture,the han dynasty pottery art creation idea,ceramic floor performance modelling art,ceramic floor is the component shape beauty,figures,animal figurines of the modelling characteristic aesthetic aspects carried on the thorough exploration,modelling art to the art of han dynasty ceramic floor very comprehensive study.At a time when the five-thousand-year traditional history and culture of the Chinese nation has been increasingly turned into a cultural center,according to these historical materials,through the exploration of new materials and interdisciplinary comprehensive research methods and means,to examine the creation tradition of contemporary Chinese national art and culture through a new concept. |
