Spatial Expression Of Ambroidery Art

In the face of the rapidly developing information society,the traditional Chinese embroidery art has the historical responsibility of inheriting the national culture.The progress of industrial civilization has made the traditional embroidery art face a shrinking living space,and this single flat expression cannot meet the needs of modern people in terms of both craft and form.In order to better adapt to the times,the visual effect of traditional embroidery art is gradually evolving from a flat and plain state to a more diversified form.Modern embroidery art creation should retain the cultural connotation of traditional craft,extend the craft technique from flat to multi-dimensional space,and expand the creative thinking in accordance with the trend of the times.Through literature review and data collection,this paper focuses on the spatial language of embroidery art,discusses from the ontological space to the object space of embroidery art,and then analyzes the interaction between each spatial relationship one by one,supplemented by case studies of typical works of embroidery artists,and concludes that the sense of space has a driving and strengthening effect on the extension of the illusion of vision and the transformation of emotion in the works.Through the exploration and summary of the author's personal creative practice,the paper analyzes how to use the spatial language of traditional embroidery craft to express the creative concept and try to make a breakthrough in technique and form,using multiple combinations of material techniques to express the controllable space and illusion space of the work,making the emotional appeal of the work richer and stronger,providing a theoretical basis and It provides a theoretical basis and feasible reference for the development of traditional embroidery in modern art design.In conclusion,in the modern information age,embroidery's expansion of its own spatial language is the key to its integration with other art fields,opening the boundaries with other fields,and the multi-layered techniques and multi-dimensional spatial expressions allow embroidery not only to blossom on the embroidery bandage,but also to cause spiritual resonance in multiple fields of design.In order to change the single aesthetic of embroidery art from the flat visual effect of craft to multi-dimensional space,the author believes that the intervention of new techniques and new design thinking can bring contemporary embroidery works out of the development dilemma.