| Paper-cutting is an ancient folk art form in my country with profound cultural connotations.It can be traced back to the Northern Dynasties.As a vehicle for presenting the wisdom and life of the working people in ancient China,its far-reaching influence has also been passed down to this day.Tuanhua paper cutting,as a layout format of paper-cutting,mostly presents a round or approximately round style with obvious modeling characteristics.The choice of patterns and themes is also very wide,from flowers,birds,fish and insects to rare and exotic animals,from various characters to fairy legends,their images have also been given a lot of special aesthetic significance in the course of many years,which reflects The people’s aesthetic taste and the pursuit of faith in a better life,these patterns with auspicious meanings also contain rich folk customs,historical and cultural connotations and artistic values,which are an important form of presentation of the spirit of traditional Chinese art.With the change and progress of the times,people’s production and lifestyle are also undergoing tremendous changes.With the influx of foreign cultures and the integration and collision of traditional cultures,how can traditional paper-cutting flowers under the modern public aesthetics? To further rejuvenate vitality,how to further shorten the distance with modern social life is a realistic problem that needs to be solved urgently.This thesis takes Tuanhua paper cutting as the research object.Through combing and deepening the traditional Tuanhua paper cutting culture,it selects cultural elements with special aesthetic connotations in the Tuanhua paper cutting art,and rebuilds traditional culture based on modern aesthetics and the needs of popular life.Integrate and reuse,integrate traditional culture into modern life,retell traditional stories in modern language,help them rejuvenate new vitality,and find ways that traditional culture can adapt and be based on contemporary aesthetics.It is traditional culture.Redevelopment is an effective method.This thesis briefly describes the evolution and categories of traditional Tuanhua paper-cutting.It analyzes the modeling characteristics of Tuanhua paper-cutting from two aspects of color image and formal language.By analyzing the current difficulties faced by paper cutting art,combined with the changes in the modern aesthetic environment,Explains the modern transformation concept and design path of Tuanhua paper cutting.Finally,from the perspective of design practice,the lotus element in Tuanhua paper cutting was selected to explore the design of materials,crafts,expression methods and other aspects,and to explore the innovative design and application of Tuanhua paper cutting under the modern aesthetic orientation. |
