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Study On The Art Symbol Of "Sheng Chong" Of Dough Sculptures In Lai Zhou,Shandong Province

Posted on:2022-08-01Degree:MasterType:Thesis
Country:ChinaCandidate:Y F MinFull Text:PDF
GTID:2481306500451954Subject:Art theory
Abstract/Summary:PDF Full Text Request
Starting from the cross perspective of art and archaeology,this paper integrates the multidisciplinary research schemes and theories of folk art,cultural anthropology,graphic science,art archaeology,sociology and so on,and takes the "Shengworm" flower of Lai Zhou,Shandong Province as the main research object,and makes a special study on it as an artistic symbol.This breakthrough in the traditional sense of art field from the aspect of modelling,such as manufacturing process,to the attention of Lai Zhou "the worm" crispy noodles,try to Lai Zhou "st worm" crispy noodles in the context of social development,using literature analysis,field research method,comparison method,the research methods such as tries to analyze why Lai Zhou "the worm" crispy noodles for hundreds of years in the artistic image,folk use function,the characteristics of the continuity and stability of the respect such as dig deeper into its contain cultural meanings behind and did not produce great changes.In order to clarify the development of Lai Zhou "Sheng Chong" flour flower,this paper firstly interprets the "Sheng Chong" flour flower as a visual symbol in detail.Based on the analysis of its external image,production materials,color use,technology and so on,it focuses on explaining the deep cultural meaning behind it.Secondly,by expatiating how the "saint bug" flour flower is used as a symbol of materialized etiquette and custom in folk custom,the author explores the deep reasons why this phenomenon occurs.In view of the high status of "Sheng Chong" flour flower in people's life in Lai Zhou,the use of "Sheng Chong" flour flower in the two festivals of the 15 th day of the first lunar month and the second day of the second lunar month as well as in the upper beam,funeral custom and ancestor worship ceremony is analyzed and studied.Finally,through the analysis of the artistic image and use of "holy bug" flour flower in modern society,explore the relationship between the production change of "holy bug" flour flower and the change of times,try to grasp the key influencing factors of the change of "holy bug" flour flower under the social development,and improve the comprehensive cognition of the nature of "holy bug"flour flower.As one of the categories of folk art,Lai Zhou "Sheng Bug" flour flower is closely related to people in all aspects.Although influenced by a series of external factors such as the change of people's production and life style,it still contains profound spiritual connotation of Chinese culture behind it.Through the analysis of Lai Zhou "the worm" crispy noodles that based on the development of the society environment,"the worm" crispy noodles not only has the profound Chinese culture,it also represents the local people hope for a better life,by exploring the causes of larger changes,has certain thinking model for its future development.
Keywords/Search Tags:Sheng Chong, Aesthetic psychology, Folk psychology, National cultural psychology, Artistic symbols
PDF Full Text Request
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