Research On The Application Of Jewelry And Makeup Of Female Characters In Peking Opera In Jewelry Design

With the progress of the times and social development,the diversification of art has become more prominent.Among them,people's love and attention to traditional culture has reached a peak.Various programs advocating traditional culture are emerging one after another.Behind the rise of "national tide" is the continuous cultural self-confidence.Promotion,the improvement of the country's comprehensive strength is a powerful boost to the rise of the "national tide".In today ' s era of globalization,the value of Chinese traditional culture is being recognized and accepted all over the world.Opera culture is one of my country's outstanding cultural representatives.Peking opera culture,which can be called the “quintessence of my country”,is an important part of Chinese traditional culture.It is also more and more recognized by people.Among them,the highly decorative women in the Peking Opera industry are the most distinctive.From the perspective of women's heads,they include hair accessories,accessories,and makeup,each of which has high research value.Mainly take the decorative heads of female characters in Peking Opera art as the research object.The purpose of this article is to explore the application of traditional Chinese opera's head and face elements in jewelry design,from the perspective of traditional Chinese culture,and combine the characteristics of some artistic jewelry to analyze the enlightenment of Xiqu's head face to jewelry design.The first chapter of the thesis introduces the research background and research significance of writing this article.The second chapter begins to enter the conceptual analysis,and summarizes the development of Peking Opera art and some interpretations related to Danjiao.The third chapter introduces the head face of the Peking Opera Danjiao head face as an example,and uses pictures to help explain the shape of the head face intuitively,including hard head face,soft head face,helmet head,floral decoration,hair style,etc.The fourth chapter mainly uses Chinese traditional culture and some features in art jewelry and other design fields as the context line of analysis,and analyzes the decoration of the Danjiao head surface into color,form,structure,and material,and digs out the culture and the material contained in it.Emotional elements,and expand the thinking of part of the content,and introduce design cases to assist analysis.The fifth chapter is the application research of Danjiao head face in modern jewelry design,through the collection of multi-category jewelry works to classify and analyze,while expanding the material category,starting from the general direction of Peking opera jewelry,researching the application of Peking opera elements,citing multiple categories Multi-style jewelry works are analyzed and summarized.The sixth chapter mainly discusses the application value of Danjiao Tou Mian,and summarizes it from the perspective of aesthetic value and humanistic value.The seventh part is the design practice of elements related to opera jewelry.The author has carried out three types of design creations through my own understanding,in order to transform the emotional complex of opera into solid matter,from internalizing the heart to externalizing the art of opera.Hold to a higher stage.