A Comparative Study Of The Aesthetic Character Between "A Thousand Miles Of Rivers And Mountains" And "Fuchunshan Dwelling"

In song dynasty and yuan dynasty are two important period in the development of Chinese landscape painting,appeared a batch of "one hundred generation of standard process","shine through the ages" old master,left many excellent work handed down from ancient times in the history of Chinese painting,northern song dynasty Wang Ximeng "Trinidad Jiang Shantu" and "fuchun mountains" of yuan dynasty huang gongwang,respectively,represents the northern song dynasty courtyard body green landscape and the yuan dynasty ink landscape painting of the literati of apotheosis,has an important position in the painting history,and had a profound influence on later generations.The two works are presented in the form of a long scroll,representing the aesthetic spirit and aesthetic pursuit of different periods respectively in terms of painting form and painting language.This kind of different aesthetic orientation was deeply affected by the special social environment at that time.The social change caused by the replacement of song and yuan directly led to a great change in people’s social mentality,which was reflected in the change of landscape painting composition from the panoramic landscape constructed since the northern song dynasty to the simple landscape in the yuan dynasty.This paper attempts to explain the aesthetic pursuit conveyed by the two long-scroll landscape paintings through the comparative study of their different forms of composition and painting language.