| Dwelling in the Fuchun Mountains is like a lyric poetry, aloofly and lingeringly,and the poetry and painting are integrated perfectly with far-reaching artistic conception.Huang Gongwang, the painter, infuses his subjective feelings into natural scenery andguides viewers towards higher realm through the composition and model of the painting,forgets everything, which is the best expression of structuring scenery by artisticconception and applying by interest of literati of the Yuan Dynasty, reaches the highestartistic state, depression&quietism and insipid&innocence, which is pursued byliterati. It is the artistic form and appeal of integrating mountains and water expressedby the painting that attracts every viewer. Such artistic appeal is the externalization andconveying of expression of the painter’s personal temperament and artistic culture. Afterdeeply appealed by it, the artistic form and ideology integrated in the painting as well asthe hid humanistic spirit philosophy are necessary to be analyzed and studied. As to thestudy of Chinese painting, the learner shall firstly inherit the tradition, innovate basedon that, carry out analysis, imitation and experiment, and make new discovery andimprovement. Such “inheritance†and “innovation†is not only philosophical but alsothe concrete form and ideology, attitude of artistic creation, and the application of penand ink. Based on the analysis of the artistic form and ideology of Dwelling in theFuchun Mountains, the essay probes into the illumination brought by the formation offrom and language, which is used to make new discovery and innovation based oninheritance for future painting creation, and make contribution for the furtherdevelopment of Chinese painting. |
