A Textual Research On The Origins Of "Spinning Mao "He Tu" And "Luo Shu" In Yi Tuxue

In the "He" and "Luo" Yitu,there is a kind of schema different from the usual black-and-white circles.The "Hetu" is a picture of spinning hair on the back of a dragon and a horse,which can be called "Xuanmao Hetu";the "Luoshu" is a picture of cracking on the back of a turtle,which can be called "Chewen Luoshu".As for "Hetu" and "Luoshu",scholars have made research and achieved important results,but the specific situation of its establishment,inheritance and development is still lack of detailed textual research and elaboration,which needs further discussion.This paper chooses "Hetu" and "Luoshu" as the research object,and on the basis of scholars’ research,studies,combs and discusses its origin.First of all,the establishment of "Hetu" and "Luoshu" were researched.As for the founding of "Hetu" and "Luoshu",there were three theories about the first Confucians: Zheng Qiao in Song Dynasty,Zhu Sheng in late Yuan and early Ming Dynasty,or Wu Cheng in Yuan Dynasty.Through the investigation of relevant literature,we can conclude that the founder should be Wu Cheng.In his later years,inspired by Zheng Qiao’s general annals,Wu Cheng put forward the views that the original appearance of Hetu is "the spinning of horse’s back" and Luoshu is "the cracker of tortoise shell".He first drew "Xuanmao Hetu" and "Chewen Luoshu".Wu Cheng believed that the "Hetu" and "Luoshu" created by him could reveal the original appearance of "Hetu" and "Luoshu",explain the origin of "Hetu" and "Luoshu" with black and white circles,clarify the different names of "Hetu" and "Luoshu",and have important value of "Hetu" and "Luoshu".Secondly,the inheritance of "Hetu" and "Luoshu" in Ming and Qing Dynasties was studied.The "Hetu" and "Luoshu" initiated by Wu Cheng have been recognized by some scholars in the field of Yi studies and passed down through Ming and Qing Dynasties.Specifically,Hetu and Luoshu by Zhu Sheng in Ming Dynasty,Luoshu by Lu Han,ancient Hetu and Luoshu by Zhang Huang,Ma Tu and Gui Shu by Qian Yiben,Hetu and Luoshu by He Kai,and Hetu and Luoshu by Dong Yangxing,and Hetu and Luoshu by DiaoBao in Qing Dynasty,Luoshu by Wu Maichang,The "anciert Hetu" and "ancient Luoshu" by Sun Zongyi,Zhang buying’s "ancient Hetu","ancient Luoshu",Wu Longyuan’s "Hetu" the picture of spinning hair like stars "," Luoshu "the picture of jiache like calligraphy and painting",Hu Xu’s "ancient Hetu","ancient Luoshu",Wu Dexin’s "ancient Hetu","ancient Luoshu",Wang Fu’s "ancient Hetu","ancient Luoshu",Zhang Langao’s "Hetu","Luoshu" and Zhang Renjia’s "the original picture of dragon and horse spinning hair" and "the original picture of turtle back cracking".Thirdly,the development of "Hetu" and "Luoshu" in Ming and Qing Dynasties was studied.In the process of "Hetu" and "Luoshu" spreading,in addition to the inheritance of their image forms,there are also cases of the increase and deepening of image elements,that is,new development.Yang Shiqiao in Ming Dynasty put the idea of "Taiji" into "Hetu" and "Luoshu",and integrated it into the specific drawing of "Hetu" and "Luoshu".He systematically deduced the complex relationship between the elements of "Hetu" and "Luoshu".Hu Shian in Qing Dynasty put "Hetu" and "Taiji picture" into practice,Direct contact reveals the reason why the "Hetu" of Xuan Mao has the theory of the fluctuation of Yin and Yang.Zhao Zhenfang and Gao Xuejun both carefully depict the "Hetu" of ancient times,strive to highlight the theory of Yin and Yang movement,deepen the connotation of "Hetu" of Xuan Mao "and" Luoshu of Chewen ",and promote the development of" Xuanmao Hetu "and" Chewen Luoshu ".In the end,the criticism of "Hetu" and "Luoshu" by the academic circle is discussed.Li Bengu of Ming Dynasty and Mao Qiling of early Qing Dynasty supported the black and white circle of Hetu and Luoshu,but opposed the "Xuanmao Hetu" and "Chewen Luoshu".In the Qing Dynasty,Huang Zongxi and Huang Zongyan had doubts about the Yitu of Hetu and Luoshu,criticizing "Xuanmao Hetu" and "Chewen Luoshu" as "the trace of tortoise and dragon is far fetched",which is the income of the later Confucianists "meeting by reason and increasing by day".