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Research On "Pan's Eighth Poetry Collection"

Posted on:2020-07-20Degree:MasterType:Thesis
Country:ChinaCandidate:J Y SunFull Text:PDF
GTID:2435330596472967Subject:Chinese Language and Literature
Abstract/Summary:PDF Full Text Request
This thesis takes the Pun’s eight poetry anthology,a very critical family hand-written document of the Pun family in the history of Guizhou literature,as the object of the research.We have two methods to study the topic,one is judge from the perspective of external research combined with internal research,one is studying from the perspective of philology combined with literature and art.The paper is divided into six chapters.In the first section of Chapter 1,I will introduce the the origin of Pan surname,its early settlement and the origin of Pan family of Guizhou.The Pan family,that this article studies,rises from Jiangsu Pan family namely.The Pan of Caoguan and Maixiang,share the same blood relationship,which originates from the General Pan-kechang who lived in the Ming dynasty.Secondly,we studies the internal and external cultural factors which promotes the sustainable development of the family.Meanwhile,the part presents the existence and loss of other works of the members.In Chapter 2,I will analyze the the collection origins of the poetry anthology.There have been three times of compilation stages,the collection of Pun’s three poetry anthology was written between the forty-ninth year(1784)and the fifty-seventh year(1792)of Qianlong.The Pun’s six poetry anthology was made six months after the22 nd year of Jiaqing(1817)and before the 19 th year of Daoguang(1839),and it was not in a coherent book link from the collection of Pun’s three poetry anthology to the collection of Pun’s seven poetry anthology to the collection of Pun’s eight poetry anthology.The collection of Pun’s seven poetry anthology was first made up in thirteenth year of Jiaqing(1808)before it was added;the manuscript of the collection of Pun’s eight poetry anthology is no later than the twentieth year of Daoguang(1840),but the last time is twenty-three year of Daoguang(1843).Thirdly,we are make a comparative study of the differences between the editions of Pun’s six poetry anthology and Pun’s eight poetry anthology,as well as the types and causes of different writings and characters.At last,we study the related problems of Pan’s ninth and tenth poets.In Chapter 3,discusses the development of Pan family’s poetry.Affected by the life situation、cultural atmosphere of Guizhou and social change,its poetry has also experienced four stages of development.There are different stage has different creation characteristics in their poetry.In Chapter 4,it mainly studies the Confucian connotation of pan’s poetry creation.The family consciousness、political feelings、the concept of female chastity and landscape seclusion feelings in their poems are also analyzed in this chapter.In Chapter 5,there are discusses the questions about the literary of the poetry anthology.First of all,we are draw on the form 、 content and significance of Pan family’s literary communication.Then,We are study the acceptance and dissemination of the Ming and Qing dynasty poetics by pan’s poets in the poetry circles of the Ming and Qing dynasties.Thirdly,review the artistic style of Pan’s poems from five aspects.In the end,show the basic criterion for the compilation in the collection: the existence of poetry.And analyze the literary criticism thoughts of the compilers and annotators contained in this collection.
Keywords/Search Tags:Pan family of Guizhou, Pun’s eight poetry anthology, Collection origins, Version, Staging, Confucianism, Literature
PDF Full Text Request
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