The Face And Cultural Expression Of Southwest Minority Prints In Print Creation

After the founding of the People’s Republic of China,ethnic minority culture was highly valued,and the creation of ethnic minority themed prints was officially launched.Due to the special regional environment in southwest China,the development of its culture is relatively independent and has regional characteristics.Ethnic minority materials provide more possibilities for the creation of prints in terms of themes,contents and techniques of expression,and quite a few printmakers are attracted to the southwest ethnic regions for artistic creation.Engraving works are thematic creations that combine the spirit of The Times with the outlook of the nation.The choice of subject matter and content is the inheritance of national culture.At the same time,the subject matter of ethnic minorities extends the creation form of modern engraving.In the creation of engraving,the artistic characteristics of national culture are reflected not only in the engraving of ethnic minorities,but also in the understanding of the creators of engraving of ethnic art,as well as the expression of the integration between the techniques of engraving and ethnic culture.The theme of southwest ethnic minorities has always been one of the important creative materials for printmakers.People in minority areas integrate their own national culture into their daily life.In addition,the national culture is in line with the update of The Times,making the theme of southwest ethnic minorities constantly creative.Through the analysis of a large number of southwest minority themed prints,we can further understand the development of southwest minority themed prints.At the same time,through the combination of work analysis and the literature of ethnic culture,we can better understand the cultural connotation that the ethnic themed prints want to convey.Interpret the national culture from the works and better understand the spirit of the works from the national culture.Starting from the actual content of print works,combining theory with practice,and speaking with facts,can better prove the position of the minority theme prints in print creation in southwest China,and better understand the cultural connotation of southwest minority theme prints.