Research On The Creation And Conduct Of The National Orchestral "Silk Road"

Silk Road is a national orchestral music piece created by young composer Jiang Ying in 2010.It projects both natural landscape and age-old history on Silk Road,which combining middle-east music style and modern logic together.Many professional philharmonics were attempted to perform it when the piece was out.The certain work won the first praise in 18th National Musical Work Competition,which is the highest praise around the country.In addition.Silk Road won the golden praise in 3rd Chinese Music Forum.On the basis of the spectrum of the Silk Road and the sound effect in the actual rehearsal,the thesis tries to figure out the overall spectrum of the Silk Road from the aspects of its creative techniques,accessories,strength and speed.Moreover,it reflects some practical issues about the division of the command section,the design of the command diagram and the integration of the sound effects.The author tries to elaborate this work from the following perspectives:First of all,the author analyses the literature and music evaluation of the work.The creation time of this work is less than ten years till now,which means there is less literature of research."It is a national orchestral musical masterpiece imaginarily and encouraged",said by Bian Zushan,Chinese conductor,however.Bian Zushan.Spring breeze does not pass through numerous bells at Yumen Gate---commenting on Jiang Ying's National Orchestral"Silk Road".Therefore,the author enables to analyze the work in different directions based on relevant national orchestral literatures,in spite of less literatures directly.Second of all,according to Silk Road,author classifies the structure of song styles,dissects the development of topic motivation as well as national harmony.Moreover,the author has clarified the internal features from various parts among wind instrument music,string instrument music,plucked string music,and percussion instrument music and analyzed the instrumental traits via various parts.The author tries to declaim from these two perspectives.Third of all,the author separates the section of the conducing according to this work and illustrates the layout of the speed and strength on this basis.Based on the results of the previous desk analysis,the author designs some diagrams of conducting,which will be applied to the rehearsal.By giving the change of gestures,the author gives the hints of the band's speed,intensity,intensity of the orchestra,melody continuity and staccato,etc.Forth of all,the author intends to explore the unity and integration of pitch in the actual rehearsal process from the perspective of melody development and harmony layout.The author also summarizes the principle of sound balance and inclusiveness by comparing the strength of each voice part.Finally,it makes special requirements conducting for some specific melodies,reflecting the regional style and unique charm of the music fragments.Last but inot at least,the author summarizes the features and significance of the National Orchestra"Silk Road"in connection with the realistic significance of the"Silk Road".This work is extremely epochal and innovative.As a conductor student,the author,hopes to have a deeper understanding of the creative thinking of modern national orchestral works in learning based on the analysis and exploration of all aspects of this work;to interpret the musical feelings of modern national orchestral works more carefully in rehearsal;to present the modern people more comprehensively in future practice.