Folk Expression Of Realistic Soil

In China’s documentary film creation circles,Zhou Hao plays a special role.His documentary films are independent of the institution and show his well-restrained expression on the reality.At the same time,he is able to fit his works into the scope of mass communication,realizing the separation from elite aesthetics.As a documentary film director who has transformed from a photojournalist,his style of practice and ideas expressed are unique and of great research value.This paper intends to analyze the inevitability of Zhou Hao’s career transformation and the obvious impact reflected in his image creation by a study of Zhou Hao’s own professional experiences and creation history and in consideration of the domestic media communication situation,and makes a detailed supplement to the views from the researches of Zhou Hao’s documentary film creations which have been done so far and opens up a brand new perspective.Chapter one conducts a detailed discussion on the high correlation reflected in Zhou Hao’s career transformation from a photojournalist in terms of units of communication and forms of expression.Chapter two,based on the analysis of the content of Zhou Hao’s documentary films,summarizes and deeply analyzes the multiple themes expressed in the documentary films,mainly from the three aspects including life patterns,political discourse and public issues.Chapter three thoroughly elaborates Zhou Hao’s flexible construction in image text and his individual characteristics different from the most independent directors,it mainly covers the routine propel of interviews and dialogues,the symbolic coding of mirror language and sound,and the narrative strategy of paying equal attention to form and content.Chapter four sorts out Zhou Hao’s creation patterns and reinterprets the concept of independence in the new era,and it puts forward feasible suggestions on the development of the expanding living space of documentary film.