| Our country's literature has a long history and rich diversities.It plays an important role in the Chinese national culture,and is an important component of the cultural treasure of our motherland.The main body of the literature is composed of folk literature and writer literature(written literature),of which folk literature is an important part.Its forms are various,including folk stories,folk narrative poems,proverbs,jokes,fables,myths,legends,riddles,etc.The contents are extensive;the styles are various.Some are quiet and elegant,some are magnificent and magical,some are witty and humorous,and some are deep with implied meaning.Most of the works demonstrate that the working people have a clear cut stand on what to love and what to hate and what is wrong and what is right.Protagonists with indomitable and optimistic spirit and witty disposition are common.Literature and film and television have a congenital and close kinship.Film and television,as an art that integrates various artistic essences,has a close relationship with literature.Therefore.Xinjiang minority films and television plays have played an important role in the development of the past century.It has absorbed a lot of nutrition from literature,and literature is gradually transforming into the screen works which are endorsed by the general audience.Consequently.Xinjiang minority films and television shows has seen a number of excellent films and television plays adapted from Xinjiang minority literature,such as " Ha Sen and Jia Mila","Amannishahan","Gerip and Sanam",n Gulamhan","Nasredinn Avanti","Avanti II","An Eternal Lamb","Jangar Performer","Hero Jangar" and "Manas".This thesis takes the presentation method and development of literature in Xinjiang minority film and television as the research object,and studies the film and television art from the perspective of literature,trying to analyze the origin and development process of film and television adaptation of literature,so as to classify and analyze the characteristics of film and television adaptation of literature.The thesis consists of four chapters:In the Introduction I explain the purpose and significance of the thesis,the critical reviews at home and abroad and the research methods and summarizes the situation of Xinjiang minority films and television plays,and analyzes the development process of Xinjiang minority films and television plays in three phases,namely the exploration phase,the prosperity phase and the new era phase.Chapter One is an overview offilm and television adaptation,which will briefly introduce the theory of film and television adaptation so as to lay a theoretical foundation of the thesis.In the Chapter Two analysis of the literature movie and television adaptation is divided into two parts of the folk literature and the writer literature according to their sources.Detailed analysis and studies orn different characteristics are conducted in this chapter.therefore,it can be said that this chapter is the core of this thesis.In Chapter Three.attempt of analyzing the expressive methods of film and television adaptation of literature is carried out.Based on the analysis in the previous chapter,this chapter explores the characteristics of methods and types of adaptation of literature in the process of film and television adaptation.literature has promoted the development of Xinjiang minority films and television plays to some extent,and the films and television plays have in turn influenced literature also.Therefore,in Chapter Four,the study of the value and significance of literature film adaptation from different angles is performed.An in-depth analysis of the opportunities and challenges faced by Xinjiang minority film and television in the context of globalization is the inescapable responsibility of us,scholars studying literature and art.Therefore,as a minority graduate student,I'm trying my best to put forward some rational suggestions on the development of literature film and television adaptation. |
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