| The bronze mirror inscription of the Han Dynasty is an important aspect that should not be ignored in the study of Han Dynasty calligraphy.Unfortunately,it has not been valued by calligraphy researchers.The inscriptions of the Han Dynasty for more than 400 years have important historical significance.Its development proves the development of calligraphy in the Han Dynasty.It is necessary for us to comb out the occurrence and development of hanjing inscriptions,and explain the evolution of the words,forms,and body of the mirror in stages,which helps us to understand the formation system of hanming mirror calligraphy.We should not only pay attention to the structure of the text,but also observe the changes in the structure of the calligraphy characters in the mirror from the perspective of calligraphy,find out the beauty feelings brought about by the c zhanges in the shape of the mirror calligraphy,and pay attention to the "meaningful forms" in the mirror calligraphy.Because of these meaningful mirror inscriptions with signs of life,it reflects the aesthetic interest of people in the Han Dynasty and also reflects the spiritual temperament of the Han Chinese.In particular,the word variety of glyphs reflects the Chinese people’s flexibility in calligraphy art and the pursuit of diversity in artistic modeling.At the same time,it also reflects the Han people’s knowledge and ability to express the law of art beauty form.On the basis of this,we classify and analyze the form beauty and style of hanjingming calligraphy,combine historical materials,pictures and other materials,and start with the type,format change,style change,etc.,to explain its transmutation factors and its transmutation laws.Thirdly,the paper analyzes the deformation of the writing structure in the course of the transformation,and studies and reveals the reasons,rules and objectives of the transformation.Deformation refers to the changes in body structure under normal conditions.Here,it refers to the changes in body state during the development of the new body,including the adjustment of the internal structure and the changes in the external body posture and the changes in body posture.The change in demeanor.Change is the life of art.After a period of gestation and development,things finally break through the normal and can sublimate to form a new normal.In this way,repeated cycles promote the development of new things.As far as the "small body-seal body-seal body-official body" in Han Jingming is concerned,the small body on the Han mirror in the early Han Dynasty should be the normal body.Later,with the evolution of the text,new changes have appeared on the Han mirror.It has evolved into Yi Yi Li.The seal body that looks like a seal is not a seal.This change in the foundation of Xiaoyan should belong to a variant,and the official script that was later displayed on the Han mirror is the new normal.The study on the deformation of characters in hanjing Ming calligraphy is to study how to change the calligraphy under the "normal" and what kind of formal aesthetic value it has.Through the above exploration of the writing style,style,form and writing of Han Jingming,I hope to inspire my creation. |
