A Study Of Aesthetic Deformation In The Ideological Field Of Vision

The establishment of aesthetic relationship is inseparable from the attention,grasp and processing of the subject of art to the aesthetic object.As far as the development of aesthetic activities is concerned,aesthetic deformation is not only an inevitable process of thinking activities,but also a very important and meaningful means of expression in the process of human art creation.Aesthetic deformation is an indispensable part of modern aesthetic theory.The occurrence of aesthetics can not be separated from the social practice of human beings.In the process of aesthetic deformation,ideological factors are always infiltrated consciously or unconsciously.From the perspective of ideology and human culture,the author makes relevant theoretical arrangement and Research on aesthetic deformation,mainly explores the relationship between aesthetic deformation and ideology,the mechanism of aesthetic deformation,the historical form of aesthetic deformation and other issues,and attempts to summarize the current research trend of aesthetic deformation and clarify the practical significance of the subject.The introduction part mainly expounds the reason of choosing the topic,the purpose and significance of the research,the domestic and foreign research review and research methods.The first part of the text explains the relationship between ideology and aesthetic deformation.The first is to clarify the meaning of the word "ideology" in aesthetics,emphasizing that "ideology" under the Marxist theory system is closely related to people’s material production activities and has rich social connotation.Secondly,it discusses the relationship between ideology and art.Art is closely related to the free will of the individual,but also inseparable from the real life as the soil.Art works are the concrete materials refined and processed by artists combining with the objective images and using the abstract ability of association,imagination and other ideological characteristics.They take certain material as the media.It can be said that only ideology can have art.The former is the soil of the latter,and the latter is a showy flower of the former.Finally,it analyzes the relationship between ideology and aesthetic deformation.Through the material media,the creator transforms the thinking and language(ideological mother and child materials)into works of art,so that they are similar to or relatively anti conflict with the phenomena of daily life,which is the form and effect of artistic creation.Ideological materials such as thinking and language can be presented by material media.In fact,it is necessary to create the author’s aesthetic deformation ability.Ideology itself is the source and reflection of art,and aesthetic deformation has become one of the conditions of art creation.Aesthetic deformation is a cultural problem with rich social connotation.Aesthetic deformation cannot exist independently of the ideology of the subject.The process of aesthetic deformation will certainly permeate the ideology of the subject.From this point of view,the essence of aesthetic deformation is the issue of general ideology.The second part explores the mechanism of aesthetic deformation in the ideological perspective.The mechanism of aesthetic deformation is very complex,involving many disciplines and fields.This paper mainly analyzes the starting point and main process of aesthetic deformation from the perception and thinking mode of the subject when art creation and appreciation occur.Inner desire is the basis and premise of aesthetic transformation of art subject.With subjective initiative subject,we can wake up ideological material and mobilize our brains to prepare for art creation or appreciation activities.To some extent,aesthetic deformation is the representation of the subject’s desire,which can be seen from the creative motivation,artistic interpretation and other links.The expression of desire is metaphor and metonymy.At the same time,artistic imagination is a process of creating a new image through the analysis and processing of the creative subject,taking the realistic image as the material.The birth mechanism of artistic imagination is synchronous with the process of human thinking activity.In essence,it is a process of using association,empathy and other abilities to transplant,connect and distort materials to process and create objective images.Artistic imagination is the core of aesthetic transformation.The third part analyzes the historical form of aesthetic deformation in the ideological perspective.If the specific mechanism of aesthetic deformation is to find out how the real life relationship is transformed into aesthetic object,then the analysis of the historical form of aesthetic deformation is to explore how art represents and reflects the real social relationship in the mother and soil of ideology.In different historical periods,the productivity level of human society is different,and the art form also has different emphasis.First of all,prehistoric art,rock painting image is the main art form of this period,the role of aesthetic deformation in rock painting image can be seen from the concrete and simplified,abstract and symbolic,mysterious and sacred features of rock painting image.We can see the primitive human’s concern for death and fear of nature,and the realistic social relations such as hunting civilization,the contradiction between human and nature,etc.;secondly,modernist painting,which has become the main historical form of aesthetic deformation in modern art due to the influence of multiple social factors.The application of aesthetic deformation principle in modern painting mainly reflects the distortion of lines,the deformation of characters,the splicing of colors and the integration of space.Through the analysis,we can know that this is related to the social reality such as the alienation of people caused by the industrial revolution,the new artistic reality caused by the progress of science and technology,and the turbulence caused by the war.Finally,the image narrative,which is the aesthetic deformation in The most important manifestation of new post-modern art.The final formation of the image value depends on the application of the subject’s aesthetic deformation ability.Its artistic feature is the implicit expressiveness and the pursuit of entertainment in high simulation.The intersection of image and reality is reflected in the relationship between image and ideology.The rise and prevalence of image is closely related to social conditions and realistic factors such as contemporary media environment,post-modern cultural context and market-oriented context.This analysis will help us to understand the origin of mass culture and the cultural crisis people are facing.The material media and explicit form of aesthetic deformation are closely related to the development level of productivity,so the research of aesthetic deformation is historical in nature.The conclusion analyzes the current research trend of aesthetic deformation,and clarifies the practical significance of the research on aesthetic deformation in the ideological field of vision.